Recent Finds Part III

Coat of arms, St. Luke's Episcopal Church, Baton Rouge, LA
Rendered by Chad Krouse, 2025

Finding well done US corporate heraldry on the Internet continues to inspire me--it's somewhat coincidental that the majority of arms found are from parishes in the Episcopal Church.  I will change up my keyword searches for some variety down the road.  I've included a few of my favorites from the latest batch which I've rendered, staying as faithful as I can to the images in the absence of blazons.

First up, St. Luke's in Baton Rouge.  I fully suspect that Harry D. Temple (1911-2004) may have designed these arms.  He loved a chief!  Moreover, using the "bordure" of the parish's diocese is also suspicious.  For St. Luke's the "bordure" is the Diocese of Louisiana.  Clear, clean, and well done heraldry.  

Coat of arms, Episcopal Church of St. John the Baptist, Thomaston, ME
Rendered by Chad Krouse

The coat of arms of the Episcopal Church of St. John the Baptist in Thomaston, Maine was a fun discovery.  It's a coastal town, hence the fountain and the use of the Amalfi cross for John the Baptist is spot on too.  A lovely and simple design.   

Coat of arms, St. James Episcopal Church, Zanesville, OH
Rendered by Chad Krouse, 2025

The coat of arms of St. James Episcopal Church in Zanesville, Ohio avoided the traditional arrangement of three escallops, opting for one shell charged on a sword.  I think the sword references the city's role in hosting scores of Union troops during the Civil War.

Coat of arms, St. Peter's-by-the-Sea Episcopal Church, Bayshore, NY
Rendered by Chad Krouse, 2025

One more red shield, but oh boy it's a good one.  The coat of arms of St. Peter's by-the-Sea Episcopal Church in Bayshore, NY nailed it by using the traditional crossed keys of St. Peter in an original way.  In fact, I would venture to say that this may be the best heraldic identification for a parish dedicated to Peter that I've seen. 

Coat of arms, St. Paul's Episcopal Church, Walla Walla, WA
Rendered by Chad Krouse, 2025

Here's another splendid variation on a saint's attributed arms--the coat of arms of St. Paul's Episcopal Church in Walla Walla, Washington.  I'm guessing with the Columbia River nearby, the barry wavy readily explains itself as does the sword in pale with point to base (for St. Paul).  Original heraldry!

Coat of arms, Christ Church, Pelham, NY
Rendered by Chad Krouse, 2025

The next two examples are rather interesting.  The arms on the left for Christ Church Pelham, NY can be seen in one of the parish's stained glass windows; however, a processional banner and current wordmarks show the arms on the right.  My guess is that the canton was not popular enough to stand the test of time.  

Coat of arms, Emmanuel Episcopal Church, Southern Pines, NC
Rendered by Chad Krouse, 2025

The exact same issue occurs with the coat of arms of Emmanuel Episcopal Church in Southern Pines, NC.  The arms on the left can be found in one of the stained glass windows of the church, in addition to a processional banner actively used!  I believe the stained glass version includes the Blessed Virgin Mary and Christ child in pale.  Yet, the arms on the right are used in marketing wordmarks to identify the parish.  I believe the flowers are dogwood flowers--the official flower of the State of North Carolina.  However, without a blazon, its anyones guess.  Still, nice arms.

Both of these latter examples show how two parish coats of arms have seemingly evolved over time--likely those rendered in stained glass were the original arms only to be amended in time.  Why?  Possibly due to a parish leader's belief that "more" is needed in the design in order for the arms to be "more" dignified.  Both arms in stained glass, in my opinion, are perfectly acceptable.  

Finding Patterns in Temple's Heraldry

Four ecclesiastical coats of arms by Col. Harry D. Temple
Rendered by Chad Krouse, 2025
click to enlarge

Searching the Internet for what I deem to be "good" US corporate heraldry has yielded quite a few finds.  For this article, I want to highlight a few themes (or patterns) in the data so far likely identifying the designer.

Col. Harry D. Temple (1911-2004) was a proliferate heraldic designer in the Episcopal Church, active from the mid-to-late twentieth century.  While he was head of the US Army's Institute on Heraldry, he must have been a devout Episcopalian given the sheer volume of arms he produced for cathedrals and parishes.  To date, I've only discovered two coats of arms for Episcopal dioceses designed by Temple--Virginia and Georgia.  The Diocese of Virginia, however, plays an integral part in one theme under examination here.  

Coat of arms of Christ Church in Alexandria, VA
Rendered by Chad Krouse, 2025

The chief of St. George, argent a cross throughout gules, is seen in two known arms by Temple as illustrated above in the top row--Diocese of Virginia and Christ Church Cathedral in Louisville, KY.  Two designs that I found recently play perfectly into this design scheme, St. James Episcopal Church in Leesburg and Christ Church Alexandria, both in Northern Virginia.  In these two later coats of arms, we see Temple adding differencing marks in the chief for variation.  Due to Christ Church's geographic location in Washington, DC, the undifferenced arms of Washington are used in chief--kind of brilliant I think.

Blazon for the arms of Christ Church Alexandria:  Azure, three lymphads Or on a chief Argent two bars and three mullets in chief Gules. 

Coat of arms of St. James Episcopal Church in Leesburg, VA
Rendered by Chad Krouse, 2025

St. James' avoids using the traditional three escallops and places one at fesspoint on the chief.  The checky base comes from the Lee arms to play on the geographic location of the parish    

Blazon for the arms of St. James Episcopal Church in Leesburg, VA:  Checky Or and Azure, on a chief Ermine a cross throughout Gules charged at fesspoint with an escallop Or.  

I feel very confident attributing the designs of Christ Church and St. James to Temple--once a designer has developed her or his framework for illustrating unification and differencing, those designs tend to be repeated and variated throughout their work.  I learned this lesson through my research on Pierre de Chaignon la Rose (1872-1941).

Another example of Temple's framework showing unification through the canton
Rendered by Chad Krouse, 2024

Another example of Temple's framework for showing unification can be shown above in the arms of Augustine Parish (left) and Trinity Cathedral (right) in the Diocese of Easton.  

Temple's framework using the canton for differencing
Rendered by Chad Krouse, 2025

Temple also used the canton for differencing and/or to provide additional historical facts/names/etc. for the corporate arms in question.  Here we see (left) Cathedral of St. James in South Bend, IN, (center) St. Luke's Cathedral in Orlando, FL, and (right) the retired arms of St. Paul's Parish in Richmond, VA.

Likely another example of Temple's framework for unification
Rendered by Chad Krouse, 2025

Finally, I'm currently on the hunt for evidence to support my hypothesis that these two arms were designed by Temple.  First, the canton raised my suspicion followed by the "bordure" of the arms of the diocese where the parish is located--Central Gulf Coast (left) and New Hampshire (right).  The cantons, here, provide additional geographic references--the star for Texas and the chevron between three estoiles refers to the arms of the Earls of Peterborough.

I love finding patterns in data, especially in heraldry.  Yes imitations exist, but more often than not, a designer's framework is easily recognizable once understood.  More to come. 

Recent Finds Part II

Arms of the Episcopal Diocese of Texas and its cathedral
Rendered by Chad Krouse, 2025

As I keep coming across good heraldry found online, I've taken up the challenge to render and post here for the sake of preservation.  First up, the arms of the Episcopal Diocese of Texas--not a new coat to me but its cathedral, Christ Church is a new one.  I like the simplicity of the cathedral's design, especially by carrying the diocese's star over and placed in dexter quarter to show unification.  The designer of the cathedral's arms, unknown to me at present, clearly knew what they were doing.

Arms of Christ Church Cathedral Houston, TX
Rendered by Chad Krouse, 2025

Blazon for the arms of Christ Church Cathedral in Houston, TX:  Argent, on a cross throughout Azure the Greek monogram for Christ (I and X) paleways Or in dexter quarter a mullet Azure.

Arms of Boutetourt Press Williamsburg, Virginia
Rendered by Chad Krouse, 2025

Here's a corporate coat of arms, those of Boutetourt Press located in Williamsburg, Virginia.  While not found on the Internet, these arms grace the dust jacket of my copy, "Hark Upon the Gale," a pictorial history book on the College of William & Mary.  I'm drawn to these arms because they are simply brilliant for a press to bear and use.  

Arms of Zion Episcopal Church, Manchester, VT
Rendered by Chad Krouse, 2025

Creating the fretty for the arms of Zion Episcopal Church in Manchester, Vermont was quite the challenge for me.  But...see how the fretty in base creates the image of a six pointed star, or the Jerusalem star?  Brilliant!

What I believe to be the arms of St. James Episcopal Church, Hendersonville, NC
Rendered by Chad Krouse, 2025

The arms for St. James' in Hendersonville, North Carolina were discovered carved in relief on the parish's sign.  The three golden escallops were easily identifiable and the fretty design was also visible.  As to the tinctures/metals?  The top of the fretty was painted red, so the base has to be a metal.  I tried gold and the shells truly became lost due to the field's powerful color.  So, I used Argent.  Who knows which is correct at present?

Arms of All Saints Episcopal Church, Palo Alto, CA
Rendered by Chad Krouse, 2025

I like how the semy plays on the celestial crown which customarily represents "all the saints."  I think these arms were designed by The Rev. Ekford Dekay.  

Arms of All Saints Episcopal Church Peterborough, NH
Rendered by Chad Krouse, 2025

The coat of arms of All Saints Episcopal Church located in Peterborough, New Hampshire were quite fun to recreate.  The image I found for the arms was rather small and I believe the charges between the canton's chevron are estoiles.  Moreover, there's a lot of symbolism packed into this design.  I fully suspect Col. Harry D. Temple (1911-2004) designed these arms.  The bordure contains the arms of the Diocese of New Hampshire to show the parish's unification and the canton refers to the arms of the Earls of Peterborough--argent, a chevron between as many estoiles sable.

Recent Finds

Rendered by Chad Krouse, 2025

Every now and then I stumble upon a rather attractive coat of arms from an unknown designer living on the Internet or social media, providing its owner with a dignified symbol.  It so happens that the four designs I rendered and posted above are ecclesiastical coats from parishes in the Episcopal Church.  When the subject of heraldry in the Episcopal Church emerges, we find ourselves in the lawless deserts of the wild west.  Truly, and I mean it, anything goes...or rather seems appropriate to adorn an escutcheon.  

The other ironic feature of these four coats of arms is the clear theme of barry wavy.  Additionally, my study of these four proves once again that a decent emblazonment makes all the difference.  The modernization of these designs leave much to the imagination...Nonetheless, I am committed to preserving good corporate heraldry in the US, regardless of the designer.

Coat of Arms, St. Patrick's Episcopal Church Brewer, Maine
Rendered by Chad Krouse, 2025

St. Patrick's Episcopal Church bears a lovely coat of arms with striking originality.  My favorite design of this set.  I only wish there was some form of geographical identification incorporated into the design--absolutely illustrate the dedication of the parish but don't go overboard!  I chose to use an ancient Celtic crozier rather than some shiny new crook.  The symmetry of the snake's head facing dexter with the crook to sinister works nicely I think.

Coat of arms, Holy Trinity Episcopal Church, Branford, CT
Rendered by Chad Krouse, 2025

Coat of arms, Grace Episcopal Church, Massapequa, NY
Rendered by Chad Krouse, 2025

Coat of arms, Trinity Episcopal Church, Galveston, TX
Rendered by Chad Krouse, 2025

I'll keep hunting for more.  These designs give me hope and prove that there is such a thing as good American heraldry.

Two late comers, but worthy nonetheless...and I'm 99.7% certain that Col. Harry D. Temple (1911-2004) designed the arms for Christ Church in Alexandria, Virginia which was literally in his backyard.  The design scheme matches Temple's creation for arms for the Diocese of Virginia.  Researching this coat for verification.

Coat of arms, Church of the Holy Trinity, New York, NY
Rendered by Chad Krouse, 2025 

Coat of arms, Christ Church Alexandria, VA
Rendered by Chad Krouse, 2025

La Rose & Music City

Proposed seal and arms for the Diocese of Nashville
produced by Pierre de Chaignon la Rose in 1932
Rendered by Chad Krouse, 2025

Some years ago, I was fascinated to learn that Pierre de Chaignon la Rose (1872-1941) had been commissioned for arms in the State of Tennessee.  Why?  After spending three years in graduate school/seminary in Tennessee, to find something as foreign as heraldry displayed seems, well, foreign.  Sewanee, of course, being the exception to this observation.  In fact, my research over the years has uncovered four corporate coats of arms produced by la Rose in the 1930s.

For the see of Nashville, la Rose proposed the design for a seal in the vesica format with new arms as illustrated above in 1932.  I've not encountered another Roman Catholic see whose seal is rendered in this format.  As far as I know, there is no evidence that the Diocese of Nashville adopted this particular shape, but thankfully their archives preserved la Rose's proposals and correspondence on the matter.

The vesica shaped seal with arms is widely used by dioceses in the Episcopal Church, as la Rose fashioned nearly 30 seals for Episcopal dioceses using this same format.  I do have one basilica that la Rose produced a seal with arms in the vesica shape which is still in use today. 

The Dominican Congregation of St. Cecilia, based in Nashville, worked with la Rose on a number of designs as the sisters established or took over leadership of a number of primary/secondary schools in the region.

L-R: Arms of Notre Dame High School and
the Dominican Congregation of St. Cecilia
Rendered by Chad Krouse, 2025

The Sisters established St. Cecilia's Academy in Nashville and the school uses the undifferenced arms of the Congregation.  To the south of Music City, Chattanooga became another focal point for the Congregation and ran Notre Dame High School which still operates and uses the arms la Rose designed, though their modern branding has the entire armorial ensigns in green/white reflecting their livery colors.  I'm working with the sister in charge of the Congregation's archives as I've inquired about three more schools which appear to bear arms that are suspiciously la Rosian.  So, more to come.

If you know, please share!
This is an exact replica from la Rose's drawing.

Of interest to me and my colleagues with the American Heraldry Society, I cannot identify the sinister charge in base of the high school's arms.  What is it?  If you know, please email me at chad(dot)m(dot)krouse(at)gmail(dot)com.

La Rose's design theory and framework was very much rooted in the medieval tradition.  La Rose believed that arms for a branch of a religious community should have in base the undifferenced arms of the main order while using a chief for differencing and creating unique identification for the new branch.  Countless examples exist illustrating la Rose's faithful adherence to this rule.  With St. Cecilia's Congregation, however, we see the reverse used--its important to bear in mind that the high school's arms had been created before the congregation's request for a design.

I can offer only some guesses for this new design arrangement:  1) the gyron for the Order of Preachers is quite striking and likely presents certain design challenges, 2) St. Cecilia Congregation did request a coat of arms similar to the design rendered for Notre Dame High School, or 3) given what he had to work with to create a simple and clear coat of arms, he had no choice but to change up his framework.  Thus, the chief of the Dominican arms becomes the unifying symbol in the arms for both foundations and corporate sole and the base allows for differencing creating unique identification of the bearer.  Fascinating. 

We see other examples within the Dominican family where la Rose changed things up in order to produce clear and perspicuous heraldry.

L-R: Arms of Albertus Magnus College and the Dominican Province of St. Joseph
both designed by la Rose
Rendered by Chad Krouse, 2025

In the 1920s, la Rose produced designs for Albertus Magnus College in New Haven, Connecticut and the Province of St. Joseph in New York.  Here we see la Rose placing an inescutcheon on top of the undifferenced arms of the Order of Preachers using their gyronny of eight and cross.  The visual effect creates a rather striking bordure effect--immediately you know that somehow the Dominicans factor into this corporate body!  

A foundation of the St. Cecilia's Congregation that I'm actively pursuing
Rendered by Chad Krouse, 2025

Finally, I'm going on a limb suggesting that la Rose also used the other coat of arms in the Dominican family for a foundation of St. Cecilia.  I'm currently waiting on evidence from the archives so stay tuned.  Regardless who designed these arms, I think they're lovely.

The final corporate coat is that of Father Ryan High School in Nashville founded in 1925.  The school is beginning its centennial year in 2025.  I was honored to work with the official author writing the school's history regarding la Rose's design which is to be published this year as part of the celebration.  La Rose designed the school's arms in 1931 

Seal with arms of Father Ryan High School
Rendered by Chad Krouse, 2025

La Rose's blazon for the high school:  Gules, between a cross saltire Or, three laurel wreaths and in base a covered ciborium all Or.  The ciborium found in base is a clear reference to Father Ryan.  The seal with arms arrangement above is the typical design format la Rose used for scholastic arms--a wafer style containing a gothic quatrefoil holding the arms in center.  I've simplified his design somewhat for a modern feel.

Tennessee, after all, does have good heraldry within its borders...you just need to dig a little.

Top 10 Favorite Renderings of 2024

Contenders, but alas, not finalists for the top 10 favorite renderings.
Row 1 (L-R):  Trinity Washington University, Sisters of St. Augustine, St. Joseph's Academy
Row 2 (L-R): Mundelein College, St. Paul's Harvard Square, St. Peter's Abbey
Row 3 (L-R):  St. Peter's Seminary and the George Washington University
Arms rendered by Chad Krouse, 2024.

Happily lost in the world of digital heraldry throughout the better part of 2024, I quickly noticed something surprising to my somewhat judgmental eyes which recalled an observation made by Pierre de Chaignon la Rose (1872-1941).  To paraphrase the great American heraldic designer, la Rose posited as a blazon falls into the hands of an artist, the draughtsmanship ultimately renders the verdict on whether or not a coat of arms is both clear and perspicuous.  Not that I am by any stretch close to mastering digital heraldry, but it is evident that when certain design principles are followed a poorly emblazoned coat of arms can be transformed for the better.  

The other observation I've noticed from the artist's chair is consistency wins the day.  I've stuck to, more or less, the standard heater shield shape, bold colors, thick outlines, and no shading (only because I haven't learned that yet).  Looking back now on probably a hundred or so arms completed, I do find applied consistency in this particular art form is beautiful, especially when grouping together different arms.

So, from that large well, I am sharing my top 10 favorite renderings memorable in my learning process.  Enjoy!

Top 10 Favorite Heraldic Renderings for 2024

10.  St. Thomas Choir School

Arms of St. Thomas Choir School.
Rendered by Chad Krouse, 2024.

St. Thomas Choir School is a foundational school attached to St. Thomas Church on Fifth Avenue in New York City.  The design made the list for the very reason that my rendering of the open and inscribed book marked a first instance for me in going out on a limb and trying something new.  What was that?  Adding medieval style musical notes to help fill in space while also providing additional reference to the school's purpose.  

The school's arms were designed in 1963 by The Rev. Canon Edward N. West (1909-1990).

9.  College of Guardians of the Holy House of Our Lady of Walsingham

Arms of the College of Guardians of the Holy House of
Our Lady of Walsingham.
Rendered by Chad Krouse, 2024.

O England's Nazareth!  All the world shall come to Walsingham.  If one were to name their heraldic blog in dedication to Our Lady of Walsingham, then it behooves the owner to get cracking on an emblazonment of those arms.  The primary obstacle in my way of rendering the College of Guardians' design was the Holy House found in dexter canton.  

If the reader only knew how many hours I spent trying every shortcut I could think of to nail that holy place!  When I finally admitted that I will need to begin from scratch things began to fall in place.  The Guardians' arms were granted by the College of Arms in 1945 and the blazon simply reads, "Argent, on a cross Sable five lilies slipped and seeded proper, on a canton Azure a holy house Or."  So, the artist is completely at liberty to design precisely the Holy House at Walsingham.  

My version of the Holy House at Walsingham.
Rendered by Chad Krouse, 2024.

I tried to keep everything symmetrical, clear, and avoiding too much detail in the composition of the Holy House as seen above.  Is it perfect?  Eh, no but represents some growth in this new medium.

8.  Princeton University 

Arms of Princeton University.
Rendered by Chad Krouse, 2024.

When it comes to corporate heraldry, I'm reluctant to say whether or not a design is good or bad.  Why?  Because I know to those attached to the organization have a symbol they're proud of and represents them.  In the case of Princeton, however, I've never cared for the shield shape and rendering that dominates the university's symbolic representation.  Princeton officially adopted its coat of arms in 1896 and perhaps the shield's shape was meant to appear ancient and distinguished.  

Armorial flag of Princeton University.
Rendered by Chad Krouse, 2024.

This rendering made me fall in love in with Princeton's simplicity in its design of arms.  Remember, Princeton's arms were assumed in the great American tradition just as those earlier Ivy League institutions devised their own.  

I say use the standard heater shield shape and join me in my new love affair of these arms!

7.  Woodberry Forest School (WFS)

Seal and arms of Woodberry Forest School.
Rendered by Chad Krouse, 2024.

The arms of this Virginia preparatory school--much like Princeton--never wooed me in how the school presents them.  The eradicated pine trees were far too small in between a rather skinning chevron on the field.  Fill the field, I say, and be bold!  I would love to know who designed these arms and any rationale too.  My theory is that the chevron comes from the Walker arms honoring the school's founder while the three eradicated fir or pine trees create a cant or heraldic pun on forest.

The challenge of creating a seal with the arms while working in the school's motto was quite fun.    

Armorial flag of Woodberry Forest School.
Rendered by Chad Krouse, 2024.

I was pleasantly surprised to see how lovely WFS's arms appear as an armorial flag.

When I applied my methods to WFS' arms, I loved the simplicity and plausible meaning of the design, earning it a spot on the 2024 top 10 list.

6. Lenox School

Arms of Lenox School.
Rendered by Chad Krouse, 2024.

Lenox School's arms were an early favorite of mine designed by Pierre de Chaignon la Rose (1872-1941) in 1930.  Moreover, these arms brought me in contact with the school's active alumni association which still carries on Lenox's legacy in spite of the school's closure years ago.

The design is also a classic la Rose method of what I call an "Americanization" of arms from the old world, and in this design the arms of the Duke of Richmond and Lenox.  Given the volume of designs created by la Rose during his career, there's no wonder why he needed multiple methods of differencing his designs.  Click here to read more on Lenox's coat of arms.

5.  St Edward's Seminary  

Arms of St. Edward's Seminary.
Rendered by Chad Krouse, 2024.

This Roman Catholic seminary in Washington State has long since closed its doors to priestly formation and barely one letter remains detailing la Rose's design for the school's coat of arms.  Preserving the design became an essential matter for me.  When I finished my first rendering I simply sat back and smiled--I dare felt as though I was the first person to ever see these arms in full color!  

I've since tinkered a bit and refined a few items as I've learned more about the design software; however, I still believe the arms have never seen color much less digitization.  A win for la Rose!

Click here to read more about St. Edward's Seminary arms.

4.  Undergraduate Residence Halls, The University of the South

Small selection of arms of various undergraduate residential halls at
the University of the South.
Rendered by Chad Krouse, 2024.

Around 2018, all the undergraduate residence halls at the University of the South located in Sewanee, Tennessee received their own armorial flags designed by Dr. J. Waring McCrady.  McCrady designed the arms for the university and its schools back in the early 1980s and these 19 designs are in some manner his magnum opus.

Well, I love a challenge.  McCrady's designs for the residence halls were purely done in flag form and I wanted to translate them into shields.  Moreover, no blazons could be found but save a layman's description of each in the University Archives.  From that sheet, I took up the challenge.

The arms of Dr. J. Waring McCrady of Sewanee, TN.
Rendered by Chad Krouse, 2024.

Above are a few of those designs that I really enjoyed putting together.  I found it particularly moving to render McCrady's arms as well, admiring the many contributions he has made both to the university and the field of heraldry.

3.  Hampden-Sydney College 

The arms of Hampden-Sydney College in various shield shapes.
Rendered by Chad Krouse, 2024.

The arms of Hampden-Sydney College, devised in 1976 by the College of Arms in London, caught my eye as an applicant to the school.  Upon admission, I became smitten and caught the heraldry bug.  The College's arms started it all for me!  

The armorial flag of Hampden-Sydney College.
Rendered by Chad Krouse, 2024.

Moreover, my first sketch for an armorial flag was for Hampden-Sydney in 2014, in pencil no less.  Then I could only dream of seeing a digital or even physical version of the flag.  I now have my flag flying from my front porch.  Being able to render both this past year was a real highlight for this proud alumnus.

Here's to "a glass of the finest."  Please click here to learn more about Hampden-Sydney College's arms.

2. The University of the South

The achievement of arms of the University of the South.
Rendered by Chad Krouse, 2024.

Again and again Sewanee's heraldry presented me with numerous challenges in rendering the various designs of the university.  Honestly, I put off working on this group until the very last to help keep my frustration at bay.  The Sewanee tressure and its many nuances took numerous tries, as I was being exacting in recreating it just as McCrady had done.  

The armorial flag of the University of the South.
Rendered by Chad Krouse, 2024.

I wanted to complete all of the university's assets that McCrady created--badge, crest, supporters, and so forth.  As I said I enjoy a challenge...My tressure breakthrough was an honest to goodness accident and led me to learn what a "clipping mask," is!  

The University Badge conceived by Dr. McCrady.
Rendered by Chad Krouse, 2024.

To say I was over the moon once finished is an understatement.  Getting Sewanee's arms dialed in took a lot of time and patience.  

Please click here to learn more about Sewanee's heraldry.

1. The Venerable Order of the Hospital of St. John of Jerusalem 

Row 1 (L-R): Arms of the Order of St John and the US Priory.
Row 2 (L-R): Arms of the Priories of England and Canada.
Rendered by Chad Krouse, 2024.

On 19 April this year I received the news of a lifetime when my name appeared in the London Gazette as newly appointed Member of the Order of St. John.  Truly, I was blown away and humbled by this high honor.  While I was naturally drawn to the chivalric and heraldic traditions of St. John, I also deeply appreciate the philanthropy and service we give freely in the order's name.

I wanted to render the arms of my priory here in the US using la Rose's style bald eagle in the blue roundel and see if I could make a contribution in this manner.  Well, it worked after numerous attempts.  And then as if to accept yet another challenge, I wanted to render all 11 priories and 5 commanderies of the Order across the globe.

And then I had an idea...

The arms of the Sovereign Head of the Order of St. John,
His Majesty King Charles III.
Rendered by Chad Krouse, 2024.

A friend and colleague in the Order shared with me how the arms of the Sovereign appear for the Order of St. John, something I had never seen before.  Could I possibly recreate these arms?  I wanted to try!

And what a challenge it presented too.  Learning how to weave the Order of the Garter's beelt through the Order of St. John's eight-pointed cross was one challenge, and then trying to figure out how to create the sash and badge was another.  Above are the arms of His Majesty King Charles III as Sovereign Head of the Order of St. John.

The badge of the Sovereign Head of the Order of St. John.
Rendered by Chad Krouse, 2024.

Rendering the arms of the Order of St. John and those of the Sovereign Head and Grand Prior come in at number one for me as my favorite renderings of 2024.  

The armorial flag of the Order of St. John.
Rendered by Chad Krouse, 2024.

In so many wonderful ways, these designs showcase my growth in learning digital heraldry and creative problem solving.  I've had a blast spending time will all the designs I've been fortunate to render and look forward to creating more in 2025.