Heraldic Freedom & Preservation

Rendered by Chad Krouse, 2024.

'There are no mistakes, just happy accidents," the famous American artist Bob Ross (1942-1995) so wisely quipped.  Indeed, my journey into the ever-expansive world of Adobe Illustrator and digital heraldic design has been marked by more "happy accidents," than not.  Interestingly enough, whenever I've made a digital error, somehow the design ends up working and unintentionally solved a problem I was facing.  For this and other reasons I quickly fell in love with the ability to bring to digital life and in full color coats of arms.  

Colored pencil drawing from 2014.

This whole artwork business really commenced back in 2014 as I began my studies in heraldry.  I wanted art for this blog simply because I am a visual learner; moreover, heraldry was intended to live in full color and amplifies any fact or opinion on the subject.

Around 2015, digital heraldry was beginning to take off and those artists available for commission priced me out of the market.  My solution:  colored pencils!

Case in point, please see this amateur drawing of my coat of arms from that time period (never mind the dogwood's flowering variety) to the left.  While dreaming of having a full color digital emblazonment of my arms, pencil and ruler brought me closer to those nuances known abstractly in the art and science of heraldry.

And there were many, many happy little accidents.

I will state it is hard to image that 10 years later, I would be able to solve my own problem and produce plenty of artwork for this blog.

Vector format designed
in 2024.

This year kicked off working with a young digital heraldic artist in Europe who kindly put up with all my requests.  As his free time for commissions became challenging, I knew I needed to pursue other options.  The pressing issue for me was a need for many renderings to use in my presentation at the heraldic congress in Boston.  With "my go to guy" out of commission, I was beginning to worry.  

Enter Adobe Illustrator.  Following a successful pass in Canva piecing together various assets for the American Heraldry Society, I felt empowered to leap to the next level.  

Freedom.  Literally true heraldic freedom; I now have the tools to complete armorial ensigns as I choose.  As a result of the is newfound freedom, I made a decision to focus on those American corporate arms in danger of extinction in the digital age.  What do I mean by extinction?  We truly have a great heraldic tradition in the US born from the early 20th Century onwards; however, many of those institutions which once bore arms have since closed or retired their armorial bearings.  Think Harvard Law, St. Paul's Episcopal Church in Richmond, Calhoun College at Yale are just a few examples of how culture can impact symbols and their ascribed meaning.  Pierre de Chaignon la Rose (1872-1941) rendered numerous designs for schools whose doors have since been shuttered and their archives scattered. 

The retired arms of St. Paul's Episcopal Church in Richmond, VA.
The "cathedral of the Confederacy," retired the design in 2015.
Rendered by Chad Krouse, 2024. 

La Rose's proposed design for St. Norbert's College in De Pare, WI in 1925.
The College did not adopt this design.
Rendered by Chad Krouse, 2024.

Even those designs for arms which were not adopted are worthy of preservation and study.  I am simply having the time of my life with the ability to render historical corporate coats of arms.  My next article will feature my 2024 Top 10 Favorite Renderings.

Cram's Scholastic Heraldry

The arms of Groton School.
Rendered by Chad Krouse, 2024.

The father of "collegiate gothic" architecture, Ralph Adams Cram (1863-1942) received a lot notoriety for his depth of knowledge regarding the art and science of heraldry but rarely do we see specific examples of his armorial designs rendered for US corporate bodies.  

The earliest known scholastic coat of arms designed by Cram are those of the Groton School located in Groton, Massachusetts.  According to Groton School (2009), the arms were unveiled in 1902 and blazoned:  Argent, on a cross Gules a sword with point to base hilt enfiling a crown Argent on a chief Sable three open books edged with two clasps Argent.

In my rendering above, I wanted to solve one problem I kept seeing in various emblazonments of Groton's arms, namely that the crown tends to get lost with the sword's hilt when everything is kept white.  By using various shades of white to silver for the sword's hilt and pommel, the crown is able to pop and become more evident in arms.  

The arms of Wellesley College.
Rendered by Chad Krouse, 2024.

Following a devastating fire in 1914 on the Massachusetts campus of Wellesley College, Cram was commissioned to help rebuild the charred grounds.  According to Wellesley College (1918) we learn about how the college's arms came to be:

"During various discussions that occurred with Messrs. Day & Klauder and other architects the desire was often expressed that the College should have a coat-of-arms. Mr. Day called attention to the fact that the seal of a college should not be used as a heraldic device on buildings. It was Mr. Davenport of the Board of Trustees who became interested in securing a coat-of-arms for the College, and asked the privilege of taking the initiative in the matter.  On consultation with Mr. Cram, Mr. Davenport asked Mr. William T. Aldrich of Boston to prepare a coat- of-arms for the College. Various designs were considered, and finally in June, 1917, he presented to the Trustees a coat- of-arms which had been prepared by Mr. Aldrich and approved by Mr. Cram. This design was accepted as the coat- of-arms of Wellesley College. The heraldic reading is as follows: 

Blazon: Azure, on an open ancient book the words "Incipit Vita Nova" on a chief Or, a cross crosslet of the field between two fountains" (pp 21-22).

Contemporary emblazonments of Wellesley's arms show five clasps on the open and inscribed book, and for this reason I added clasps to my rendering above.  The official blazon noted in Wellesley (1918) does not have have clasps on the book.

So, while Cram did not design Wellesley College's arms, he "approved" them.  I included these arms simply because it was important enough for the college to mention Cram's nod to the design and thus relevant to our discussion regarding his scholastic heraldry.

William T. Aldrich (1880-1966) was an architect in Boston who was later commissioned in the 1930s by Wellesley College to design a sports center.  At the moment I cannot find any other heraldic designs by Aldrich.  Perhaps Wellesley's was a one-off? 

The arms of Rollins College.
Rendered by Chad Krouse, 2024.

The coat of arms of Rollins College is the other known work in scholastic heraldry by Cram.  Rollins College, located in Winter Park, Florida, was established in 1885 by the Congregational Church.  Zang (2019) notes that the college adopted Cram's design in 1933 and adds: 

"[Rollins' coat of arms] carries a blue St. Andrew’s cross on a gold shield. In addition to the college motto in Latin, it also incorporates the key elements of a rising sun and cascading water below from the College Seal. The two swords emblazoned on the cross were taken from the Coat of Arms of the family of Alonzo Rollins (1832-1887), the initial donor of the College. The book above the cross is a symbol of knowledge, and the emblem below designates a natural spring as a representation of Ponce de Leon’s famous Fountain of Youth." 

The arms of Rollins College are blazoned:  Or, on a cross saltire Azure two swords in saltire Argent pommel and hilt Or between in chief an open book with two clasps proper and a fountain in base

Should more examples of Cram's designs in scholastic heraldry come to light, I'll promptly update this article.

Works Cited

Groton School. (2009). Groton School Quarterly, LXXI, 3, p.3

https://issuu.com/grotonschool/docs/quarterly_2009_fall/4

Wellesley College. (1918 December).  Annual reports of the President and Treasurer of Wellesley College 1916-1918, series 7, no. 6.  

https://www.google.com/books/edition/Annual_Reports_of_the_President_and_Trea/odgiAAAAMAAJ?hl=en&gbpv=1&dq=Annual+Reports+of+the+President+and+Treasurer+of+Wellesley+College+1916-1918&pg=PP7&printsec=frontcover  

Zang, W. (2019). Branding Rollins: A brief history of college logos and other institutional symbols. Rollins Archives.  

https://blogs.rollins.edu/libraryarchives/2019/05/29/branding-rollins-a-brief-history-of-college-logos-and-other-institutional-symbols/

More Designs by Temple

My variation for a seal with the arms of the City of Fredericksburg
Rendered by Chad Krouse, 2024.

In 1971, Temple's (1911-2004) armorial design for the City of Fredericksburg, Virginia was officially adopted by the city.  Packed with meaning and references for Fredericksburg, Temple's design is blazoned:  Argent, on a cross saltire Azure two ostrich feathers in saltire Or on an ineschuteon Gules the crown of Charlemagne Or.  

The arms of Tift College in Forsyth, Georgia.
Rendered by Chad Krouse, 2024.

The design of arms Temple devised for Tift College which was located in Forsyth, Georgia was adopted by the school in 1965 (Stone, 1969, p.173).  Tift College merged in 1986 with Mercer College and thus these arms are no longer extant. 

Earlier this year, I wrote about Tift College's arms as I had finally located an official blazon; click here to read about Temple's design of arms for Tift College.   

The blazon of arms for Tift College is: Argent, a cross Sable with a maltese cross of the first, on a chief Azure three roses Or barbed Vert (Tift, 1967, p.107).

Concept of using St. Augustine Parish's arms in a wafer-style seal.
Rendered by Chad Krouse, 2024.

The arms of St. Augustine's Parish in Maryland were covered in my previously article on Temple's design; without hard evidence its entirely likely that Temple created these arms.  I've sent correspondence to Augustine Parish inquiring about design information for their coat of arms which I rendered above and placed within a gothic quatrefoil seal--really to give the parish something for their time and assistance with my research request.

The arms of St. Peter's Cathedral in Helena, Montana.
Rendered by Chad Krouse, 2024. 

Dekay (1993) provides both the blazon and design rationale for the arms of St. Peter's Cathedral in Helena Montana; however no designer is named.  Based on the illustration in DeKay (1993) this coat is highly suspicious in that Temple most likely designed the cathedral's arms.  The line dancetty abstractly refers to the Rocky Mountains, the gold base comes from the arms of the first bishop of the Diocese of Montana, and the black cross patee honors the first vicar of St. Peter's.  I will send the cathedral a request for design information in the coming days.

Blazon for the arms of St. Peter's Cathedral in Helena, Montana:  Per fess dancetty Azure and Or in chief a civic crown Argent charged with two keys in saltire Gules in a base a cross patee Sable (DeKay, 1993, p.109).

The arms of the Cathedral of St. Luke in Orlando, Florida.
Rendered by Chad Krouse, 2024.

The arms of the Cathedral of St. Luke located in Orlando, Florida is another design likely created by Temple.  I happened upon these arms randomly and the canton immediately raised an eye brow towards Temple.  While I cannot locate a design rationale, the white canton and red cross saltire makes a clear reference to Florida's flag and the fleam is often attributed as a charge for St. Luke the "surgeon."  I rather like this simple design.

Blazon for the arms of the Cathedral of St. Luke in Orlando, Florida:  Pean, on a canton Argent a cross saltire Gules charged with a fleam Or.

The arms of the Cathedral Church of St. James in South Bend, Indiana.
Rendered by Chad Krouse, 2024.

Dekay (1993) credits Temple for designing the arms for the Cathedral Church of St. James in South Bend, Indiana blazoned:  Azure, three bendlets Or on a canton Gules an escallop Argent (p.112).  The escallop is an attributed charge for St. James the Greater while the three gold lines mimic the waters left in the wake of St. James' missionary travels by ship.  I also like this simple design.

One thing remains clear, Temple loved a canton and he utilized them well. 

Works Cited

Dekay, E. (1993).  Heraldry in the Episcopal Church.  Acorn Press.

Stone, E.W. (1969).  Yesterday at Tift.  Foote & Davies.

Tift College (1967).  Chiaroscuro [yearbook].  The Chiaroscuro Collections, Special Collections and University Archives, Mercer University, Macon, GA.  http://hdl.handle.net/10898/10928 

The Arms of Virginia Tech Corps of Cadets

Arms of the Virginia Tech Corps of Cadets.
Rendered by Chad Krouse, 2024.

As a follow up from my previous posting regarding the arms of the Virginia Military Institute (VMI), I want to share another Virginian collegiate-military coat of arms from Virginia Tech's Corps of Cadets.  The Corps of Cadets is a military component of Virginia Tech, a public university located in Blacksburg.  Established in 1872, the Corps of Cadets sport a rather simple and pleasant coat of arms.  

Col. Harry D. Temple (1911-2004) from the US Army Institute of Heraldry not only designed VMI's arms but also those of his alma mater, Virginia Tech Corps of Cadets.  

Designed in 1965, the Corps arms are blazoned:  Ermine, on a pale Gules a sword point upward Argent, pommel and hilt Or.

Armorial flag of the Virginia Tech Corps of Cadets.
Rendered by Chad Krouse, 2024.

Through Temple's design for Virginia Tech, we see the sword in pale used to identify the bearer as military--the same scheme he used earlier in 1961 for VMI's coat of arms.  I appreciate and admire Temple's desire to maintain consistency in charges for identification, as I believe when viewing all arms with the associated charge makes a powerful constant in a designer's armorial.  

L-R: Arms of VMI and Virginia Tech Corps of Cadets both designed
by Col. Harry D. Temple.
Rendered by Chad Krouse, 2024.

Seeing the two sets of arms above, I believe, furthers my argument.  Click on the label below "Harry D. Temple" to see his other designs covered.  

The Arms of Virginia Military Institute

The arms of VMI set within its famous monogram.
Created by Chad Krouse, 2024.

The Commonwealth of Virginia has its own militia, that's right.  Right next door to Washington & Lee University in Lexington, the Virginia Military Institute (VMI) has a rich legacy of producing leaders along with a strong alumni network.  Established on November 11, 1839, VMI was the first state military college at that time, and whose cadets even fought in Civil War.

Coat of arms of the Virginia Military Institute.
Rendered by Chad Krouse, 2024.

Devised in 1961 by Col. Harry D. Temple, the Director of the US Army Institute of Heraldry, the arms of VMI abstractly honor the institution's legacy and blazoned:  "Argent, on a cross Gules a sword in pale point upward of the first, pommel and hilt Or, surmounted by an antique lamp inflamed of the third, on a canton Sable a chevron rompu Or."  Click here to read the document from VMI's archives regarding their arms.  

The arms of the Virginia Company
granted by the College of Arms in 1619.
Rendered by Chad Krouse, 2024.

From a design rationale point of view, here is a breakdown of the heraldic elements.  The red cross references the same found in the arms of the Virginia Company granted by the College of Arms in 1619.  

The sword in pale identifies the militaristic character of the school and combines this reference with the oil lamp for scholarship and learning.  The black canton and broken chevron hits a little closer to home for VMI, as this augmentation of honor references those cadets who lost their lives in the valiant charge on May 15, 1864 in the Battle of New Market.  I find the use of the chevron rompu, here, to be extremely meaningful for all in the VMI community.  

The US Army Institute of Heraldry devised a crest and motto to compliment the arms.  Consilio et Animis, or "By wisdom and courage," is truly a fitting motto for such a place.  

Concept for incorporating numerous elements into a seal.
Created by Chad Krouse, 2024.

Admittedly I had not paid VMI's arms much attention over the years--in fact I had altogether forgot about them until recently.  I'm glad I spent some time rendering VMI's arms, as Col. Temple has a great record designing all manner of corporate arms--civic, ecclesiastical, scholastic, and military.  Click here to read about Col. Temple's design of arms for Tift College.  

Banner of arms of VMI.
Rendered by Chad Krouse, 2024.

The Arms of Woodberry Forest School

My take on a seal with arms for Woodberry Forest School.
Rendered by Chad Krouse, 2024.

Not terribly far from Richmond, Virginia is Woodberry Forest School, a preparatory school for boys and young men established in 1889.  For the longest time I've admired the simplicity of the school's coat of arms, but never dug into their origins.  Recently, I needed to render the arms and armorial flag for a project and this gave me pause to begin thinking critically about this straightforward design.  

There is little (and I mean little) information regarding WFS' coat of arms; however, its clear that the school community highly cherishes this symbol as the arms literally adorn every item in the bookstore.  I've only seen the arms set within a wafer style seal bearing the school's name and date of establishment.  I've added their version below for reference.  

Official seal and coat of arms of Woodberry Forest School.

Image source: WFS website.

Fill the field! This heraldic design rule always rang loudly whenever I encountered WFS' arms. Yet, when I finished my emblazonment recently I had a "grinchy" change of heart. I actually like the simplicity of the design, though not a big fan of stains such as "tenne."

From what I can observe, the arms also a "cant" or heraldic pun on the school's name--three trees to create a forest, get it? It is clever. Orange and black are the school's livery colors; it appears that from some desired need to incorporate those tinctures in a design of new arms resulted in the orange stained chevron. I think I just didn't like the school's version where everything appears flimsy and rather small.

Coat of arms of Woodberry Forest School.
Rendered by Chad Krouse, 2024.

I was intentional in filling the space with a thicker chevron and robust evergreen trees.  Without any data, I give the blazon for WFS' arms as:  Argent a chevron Tenne between as many pine trees eradicated Vert. 

Armorial flag of Woodberry Forest School.
Rendered by Chad Krouse, 2024.

I have contacted the school's archives for information on the arms.  If my request is successful, I'll update this post. 

Sewanee's Heraldry Updated

The full achievement of arms of The University of the South.
Rendered by Chad Krouse, 2024.

I feel like I waited on emblazoning all of Sewanee's heraldry and for good reason:  the Sewanee tressure.  Yes, that device was challenging to say the least.  After multiple starts (and many deleted works) I unlocked the secrets in Illustrator to make the tressure possible.  Ecce!

To read the updated article on the heraldry of the University of the South, please click this link.

The successful rendering of the tressure got me thinking, I've never seen the full achievement rendered digitally in full color.  Challenge accepted.  My above emblazonment isn't perfect but represents my learning and skills thus far.  Knowing me, I'll continue to tinker with it as time goes by.

Rendered by Chad Krouse, 2024

I'm currently working on the final shield, that of the College of Arts & Sciences to complete the official set of arms.

The attributed arms of the Sewanee Angel.
Rendered by Chad Krouse, 2024.

There's a lovely tradition at Sewanee involving angels.  The tradition goes like this: every time you leave the Domain you tap the roof of your vehicle in order to claim your Sewanee angel.  Upon re-entry, you tap again to release your angel.  Heavenly protection indeed!  Well, I figured it's not fair that these angelic guardians have absolutely no representation in arms.  So, I've created an attributed coat of arms for the Sewanee Angel.

The idea combines blue and white to divide the shield, in other words the heavens above.  Wings are self-explanatory.  The golden cross in the center represents the large memorial cross on the Domain.

The blazon:  Per pale Azure and Argent, a pair of angel's wings conjoined in lure counterchanged, overall a passion cross Or.  

Arms of St. Andrews-Sewanee.
Rendered by Chad Krouse, 2024.

Certainly not officially connected to the university, though many ties of affection exist, I wanted to include the arms of St. Andrews-Sewanee since this school is very much in the world of Sewanee.

As if the Sewanee tressure wasn't frustrating enough, finding a blazon for the arms McCrady designed for St. Andrews-Sewanee is mind-numbing.  The school could not find a colored image of the seal and arms so all we have to go on is a line drawing--and there are numerous versions too!  To keep things simple, I've opted to use the image of the school's arms emblazoned on the cover of its 1985 yearbook.  McCrady designed the seal and arms in the early 1980s, so my thought is that this line drawing represents the original without the lilies.

My best guess at a blazon for the arms of St. Andrews-Sewanee:  Azure, in pale a sword Argent with point to base wrapped in an oak leaf proper, overall on a cross saltire Argent a roundel Argent edged Azure with a cross moline the extremity in sinister chief recercely Sable.

I've even decided to take up the challenge of emblazoning all the arms of the residence halls McCrady designed in 2018.  The above image shows the four arms I've completed so far.

Making my way through the arms of the residence halls.
Rendered by Chad Krouse, 2024.

More to come but for now, wow, there's a lot at Sewanee!

Our Lady of Cincinnati College

Seal and arms of Our Lady of Cincinnati College, later Edgecliff College, and the only surviving
artifact identifying tinctures and metals I could find.

Hunting down information regarding the coat of arms for Our Lady of Cincinnati College has proven virtually impossible.  Thankfully I found a reference in Evans (1959) which names Pierre de Chaignon la Rose (1872-1941) as the designer and with the date 1936.  Score for at least the designer.  What about a blazon for the arms?  Tinctures and metals?  What is inscribed on the open book?  The image above was all I could find regarding la Rose's design and thankfully included hatch marks.  

Our Lady of Cincinnati College was founded in 1935 by the Sisters of Mercy as a women's college.  In 1969, the College changed names to Edgecliff College and began admitting male students by 1970.  By 1980, Edgecliff College merged with Xavier University.

As the case with many of the now closed schools la Rose designed arms for, their archives have either been lost or scattered indiscriminately.  While Xavier University has some artifacts from Edgecliff in its collections, there is scant little from Our Lady of Cincinnati.    

Arms of Our Lady of Cincinnati College, later Edgecliff College.
Rendered by Chad Krouse, 2024.

Through the hatching on the seal/arms, I was able to make out the tinctures and metals.  The blazon, as best as I can tell, is: Gules, an open book edged with two clasps Or inscribed “Maria Vita et Spes Nostra” and in base a cross of the Sisters of Mercy Argent, on a chief Azure in dexter a crescent and in sinister a plow Argent.

Click to enlarge.

The chief abstractly reads Our Lady, Cincinnati.  I love that even though I find the design somewhat unbalanced.  The cross in the base of the arms comes from the insignia used by the Sisters of Mercy as seen below.  I also like how the cross is literally the foundation of the arms since the Sisters founded the college.

Insignia of the Sisters of Mercy.

Arms of the Archdiocese of Cincinnati designed by la Rose.
Rendered by Chad Krouse, 2024.

La Rose used the plow in his design of arms for the Archdiocese of Cincinnati in 1921 which are blazoned: Or, a plow between three cross crosslets fitchy Gules.

Recreation of la Rose's design for the College's seal.
Rendered by Chad Krouse, 2024.

Recreating la Rose's gothic quatrefoil was incredibly challenging and my version is not perfect.  Remember, a seal is not a coat of arms and vice versa.  Seals are used to legally authentic documents and may contain a coat of arms but not required.  There is no governance or direction in the US on designing a corporate seal.

Banner of arms, Our Lady of Cincinnati College.
Rendered by Chad Krouse, 2024.

Alas, I simply had to create a banner of arms even if the college no longer exists.  I continue to enjoy recreating la Rose's work from the past and hopefully giving them new life in the digital world of the 21st century.  

Even though Edgecliff College is no more, there is a rather active alumni association using the old line art of seal and arms.  I knew something had to be done, for la Rose if nothing else!  I sent the alumni association a suite of emblazonments for their use as well as the write up below.  Since I thoroughly enjoyed my work with Lenox School's Alumni Association, I wanted to do the same here.  Please click here to learn about my work with Lenox School Alumni Association.

 

Works Cited

Evans, Mary Ellen (1959).  The Spirit is mercy: The story of the Sisters of Mercy in the Archdiocese of Cincinnati 1858-1958.  Newman Press, pp 268-269.

La Rose & The Signet Society

The arms of the Signet Society at Harvard.
Rendered by Chad Krouse, 2024.

One of the earliest documented design for arms by Pierre de Chaignon la Rose (1872-1941) was devised for his literary club at Harvard, the Signet Society.  Designed around 1902, Signet's arms would be carved on the pediment of its house in Cambridge.  

Shiverick (1969) provides la Rose's blazon:

Arms:  Gules, a signet ring Or, surrounded by seven bees of the same marked with Sable

Crest:  From a fillet Or and Sable, a dexter forearm issuing, clothed in a Sable sleeve with Argent cuff.  The hand proper holding an open book with two clasps and edges Or, across the pages of which is inscribed VERITAS.

The crest of the Signet Society at Harvard.
Rendered by Chad Krouse, 2024.

La Rose's crest offers us a glimpse into his developing methods for illustrating unification and differencing in arms by using the open and inscribed book.  VERITAS is Harvard's motto and inscribed upon its three open books.  Fascinating, right?

I really liked the challenge of creating the crest.  I actually like this one and find it unusual that la Rose created one--he was not a fan of corporate arms bearing crests and mottos.

   

Another version of Signet Society's coat of arms.
Rendered by Chad Krouse, 2024.

There are a few other social clubs at Harvard bearing arms designed by la Rose, and I hope to get those emblazoned in the coming days.

Works Cited

Shiverick, Nathan C. (1969).  A short history of the Signet Society.  Privately published.  Cambridge, MA.

https://www.scribd.com/document/376709846/A-short-history-of-the-Signet-Society

Armorial Ensigns of Sweet Briar College

The coat of arms of Sweet Briar College in Virginia.
Rendered by Chad Krouse, 2024.

Years ago I wrote a brief piece on the arms of Sweet Briar College, a women's college in Virginia so I won't retrace my footprints.  Please click here to read about Sweet Briar College's coat of arms. 

Designed around 1938 by English professor Dr. John M. McBryde, the arms are blazoned:  Quarterly 1st and 4th, Sable, a cross engrailed Argent between four plates each charged with an arrow Sable (Fletcher); 2nd and 3rd, Gules, three tilting spears Or headed Argent (Amherst), and on a chief Or three tudor roses barbed and seeded Gules.

Banner of arms, Sweet Briar College.
Rendered by Chad Krouse, 2024.

There's a lot going on with this design.  Still, the campus is a lovely Cram-designed academic village and one of Virginia's finest colleges.

Armorial Ensigns of the Lesser Known

Arms of the Institutum Divini Thomae.
Rendered by Chad Krouse, 2024.

As a follow up to my previous post showcasing emblazonments of several Ivy League schools and other prominent academic institutions, I felt it was only fitting to highlight arms from equally noble institutions likely unknown to some.

I am thrilled to present for the first time in digitized full-color, the arms of the Institutum Divi Thomae.  Located in Cincinnati, Ohio, the institute was a scholarly venture of the Roman Catholic Church focusing on scientific research.  Pierre de Chaignon la Rose (1872-1941) designed the arms for the institute in 1936 with a few unique marks of identification.  The inscription on the open book reinforces this mission, while the sun in splendor in dexter canton references St. Thomas Aquinas.  

Blazon:  Or, on a cross Gules an open book edged with two clasps Or inscribed Religio Scientia between four bezants, in dexter canton a sun Gules.

It truly brings joy creating arms knowing its the first time the design joins the digital age.

Arms of Rice University.
Rendered by Chad Krouse, 2024

Rice University was designed in 1912 by la Rose--his first design for a secular institution.  La Rose's blazon for the arms of Rice University:  Azure, two chevronels Argent between as many Athenian Owls Argent.

Groton School coat of arms.
Rendered by Chad Krouse, 2024.

The famous American architect and father of "collegiate gothic," Ralph Adams Cram (1863-1942) designed the arms for Groton School in 1904.  Located in Groton, Massachusetts, the school's coat of arms is blazoned:  Argent, on a cross Gules a sword in pale point to base with hilt ensigned of a coronet all of the field, on a chief Sable three open books of the field.

Arms of Bryn Mawr College.
Rendered by Chad Krouse, 2024.

The arms of Bryn Mawr College are quite striking to say the least.  Designed in 1904 by the College of Arms in London--designed, no grant as far as I know--the arms are blazoned:  Per pale, Or and Ermine three owls proper.

College of Arms you say working with a US college in 1904?  According to the College, yes.  I will definitely want to see if these arms were granted.  My hunch is that a herald did the design work and dispensed with all the legalities, etc.

Arms of the University of Washington St. Louis.
Rendered by Chad Krouse, 2024

The University of Washington St. Louis bears arms layered with identification. Designed in 1897 by Professor Holmes Smith, the arms are blazoned: Argent, on two bars Gules an open book bearing the motto PER VERITATEM VIS, in chief three stars of five points and in base as many fleurs de lys Vert.

Banner of arms, University of Washington St. Louis.
Rendered by Chad Krouse, 2024

The coat of arms of Washington & Lee University, located in Lexington, Virginia, may be unfamiliar to many.  Designed in 1901 by chemistry professor William George Brown, the quartered arms combine a lot of imagery for identification.

Arms of Washington & Lee University.
Rendered by Chad Krouse, 2024.

Blazon for the arms of Washington & Lee University:  Quarterly. 1st Azure open book Argent thereon inscribed OMNIA AUTEM PROBATE. 2nd Argent two bars in chief three mullets Gules (Washington). 3rd Gules a fess chequy Azure and Or between ten billets Argent, four in chief, three, two, and one in base (Lee). 4th Azure a cinquefoil pierced Argent, a bordure engrailed Ermine.

The coat of arms of Washington & Lee University, with crest and motto.
Rendered by Chad Krouse, 2024.

Banner of arms of Washington & Lee University.
Rendered by Chad Krouse, 2024.

I will say, the university's arms are most attractive when rendered as an amorial banner.

Arms of the Episcopal Diocese of Vermont.
Rendered by Chad Krouse, 2024.

The arms la Rose designed for the Episcopal Diocese of Vermont are simple and clear.  Sadly, however, one cannot find a decent emblazonment anywhere until now.

If you guessed that the piles reference Vermont's Green Mountains then you're well on your way in learning la Rose's methods.  I'm glad to now have a good emblazonment of these lovely arms.   

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The following three arms below were designed by la Rose and perhaps represent his most controversial work in the 21st Century.  The arms of Grace Hopper College at Yale were not designed by la Rose, but I want to showcase these new arms.  All three of la Rose's designs have been retired and I wanted to ensure their conservation.  

As our collective social consciences woke to finally acknowledge the pain and struggles our sisters and brothers of color endure in the US every day, institutions nationwide took a deep internal look at names and symbols that no longer represent everyone in their constituencies.  Colleges and universities--especially--removed names from institutions and buildings and even retired logos and symbols too.

My efforts to preserve these designs stem purely from a heraldic perspective and scholarship.

Arms of Calhoun College at Yale (since been renamed).
Rendered by Chad Krouse, 2024

The arms of Calhoun College, the name of a former undergraduate residence at Yale, were designed by la Rose in 1931 and simply blazoned:  Argent, a saltire engrailed Sable; a chief of the arms of Yale.  The namesake of the residence had ties to slavery and thus Yale retired the name as well as the arms.  

The new arms of Grace Hopper College at Yale.
Rendered by Chad Krouse, 2024.

Calhoun was replaced with Grace Hopper for the residential college.  The new arms of Grace Hopper College became official in 2017 and blazoned:  Azure semé of Plates and Billets Argent a Dolphin embowed Or; on a Chief Argent a Fess engrailed Sable.

Former arms of Kirkland House at Harvard.
Rendered by Chad Krouse, 2024.

La Rose designed the arms for Kirkland House at Harvard in 1931.  The design in recent years caused a stir, as many at Harvard believed Kirkland's arms too closely resembled the Confederate flag.  Thus, these arms were effectively retired and new design ushered in.

Former arms of Harvard Law.
Rendered by Chad Krouse, 2024.

As part of his heraldic program for Harvard's Tercentenary celebrations in 1936, la Rose devised arms for all the schools of university.  The arms of Harvard Law, however, would become a lightening rod for controversy and effectively retired in 2016.  The issue:  the three gold garbs of wheat representing Isaac Royall, Jr., whose family had owned slaves.  In 2021, the law school unveiled new arms.