Heraldic Freedom & Preservation

Rendered by Chad Krouse, 2024.

'There are no mistakes, just happy accidents," the famous American artist Bob Ross (1942-1995) so wisely quipped.  Indeed, my journey into the ever-expansive world of Adobe Illustrator and digital heraldic design has been marked by more "happy accidents," than not.  Interestingly enough, whenever I've made a digital error, somehow the design ends up working and unintentionally solved a problem I was facing.  For this and other reasons I quickly fell in love with the ability to bring to digital life and in full color coats of arms.  

Colored pencil drawing from 2014.

This whole artwork business really commenced back in 2014 as I began my studies in heraldry.  I wanted art for this blog simply because I am a visual learner; moreover, heraldry was intended to live in full color and amplifies any fact or opinion on the subject.

Around 2015, digital heraldry was beginning to take off and those artists available for commission priced me out of the market.  My solution:  colored pencils!

Case in point, please see this amateur drawing of my coat of arms from that time period (never mind the dogwood's flowering variety) to the left.  While dreaming of having a full color digital emblazonment of my arms, pencil and ruler brought me closer to those nuances known abstractly in the art and science of heraldry.

And there were many, many happy little accidents.

I will state it is hard to image that 10 years later, I would be able to solve my own problem and produce plenty of artwork for this blog.

Vector format designed
in 2024.

This year kicked off working with a young digital heraldic artist in Europe who kindly put up with all my requests.  As his free time for commissions became challenging, I knew I needed to pursue other options.  The pressing issue for me was a need for many renderings to use in my presentation at the heraldic congress in Boston.  With "my go to guy" out of commission, I was beginning to worry.  

Enter Adobe Illustrator.  Following a successful pass in Canva piecing together various assets for the American Heraldry Society, I felt empowered to leap to the next level.  

Freedom.  Literally true heraldic freedom; I now have the tools to complete armorial ensigns as I choose.  As a result of the is newfound freedom, I made a decision to focus on those American corporate arms in danger of extinction in the digital age.  What do I mean by extinction?  We truly have a great heraldic tradition in the US born from the early 20th Century onwards; however, many of those institutions which once bore arms have since closed or retired their armorial bearings.  Think Harvard Law, St. Paul's Episcopal Church in Richmond, Calhoun College at Yale are just a few examples of how culture can impact symbols and their ascribed meaning.  Pierre de Chaignon la Rose (1872-1941) rendered numerous designs for schools whose doors have since been shuttered and their archives scattered. 

The retired arms of St. Paul's Episcopal Church in Richmond, VA.
The "cathedral of the Confederacy," retired the design in 2015.
Rendered by Chad Krouse, 2024. 

La Rose's proposed design for St. Norbert's College in De Pare, WI in 1925.
The College did not adopt this design.
Rendered by Chad Krouse, 2024.

Even those designs for arms which were not adopted are worthy of preservation and study.  I am simply having the time of my life with the ability to render historical corporate coats of arms.  My next article will feature my 2024 Top 10 Favorite Renderings.

The Arms of Church of the Advent Boston

Seal and coat of arms of Church of the Advent Boston.
Rendered by Chad Krouse, 2024.

You cannot have Advent without the Advent...Boston that is.  Hands-down my favorite Anglo-Catholic parish in the Episcopal Church, I have had several deeply spiritual experiences living into the beautiful liturgies at Church of the Advent Boston.  Founded in 1884 in the Back Bay area of Boston--Brimmer Street to be precise--Advent is simply the best of Anglo-Catholic liturgy and theology and well worth a pilgrimage.   

The parish has a special connection to Ralph Adams Cram (1863-1942) who Shand Tucci (1975) notes Advent became the headquarters for a new gothic liturgical movement which Cram would help advance.  Moreover, Cram's first commissions were completed at Advent Boston, such as the furnishings in the Lady Chapel.  By understanding Cram's origins in his "gothic quest" we can begin to understand his friendship with Pierre de Chaignon la Rose (1872-1941) and their heraldic partnership.  I've posted the link to Shand Tucci's (1975) article below and commend it to the reader.

Coat of arms of Church of the Advent Boston.
Rendered by Chad Krouse, 2024.

Initially, I suspected that la Rose may have had a hand in designing the parish's arms given Cram's relationship to the parish as well as the gothic wafer design so prominently used by la Rose.  I was wrong.  

Arms of the Episcopal Diocese of Massachusetts and Church of the Advent Boston.
Rendered by Chad Krouse, 2024.

The parish seal and coat of arms were designed in 1923 by parishioner Robert Turner Walker (1867-1931).  According to Church of the Advent (n.d.), the trumpet in pale references the Second Advent as told in the Book of Revelation, and the three crowns comprised of alternating crosses patee and fleurs-de-lis identifies the parish within the Episcopal Diocese of Massachusetts whose arms contain the same crowns.  La Rose designed the arms for the Diocese of Massachusetts in 1906.

Furthermore, the charges in dexter quarter also bear meaningful symbolism as Church of the Advent (n.d.) notes:

"In the upper left quadrant is the red cross of St George, badge of England, surmounted by a circle containing wavy blue and white lines. The lines symbolize water, and the heraldic device is called a fountain and represents a well or spring. This may allude to our roots in the Church of England, but Cross + Well is also a rebus for Croswell, our first Rector."

The parish's arms make a lovely armorial flag as well.

Banner of arms, Church of the Advent Boston.
Rendered by Chad Krouse, 2024.

Works Cited

Church of the Advent Boston (n.d.). The parish seal.  Church of the Advent Boston.

Shand Tucci, D. (1975).  Ralph Adams Cram & Mrs. Gardiner: The movement for a liturgical art.  Fenway Court, pp. 27-34 https://issuu.com/gardnermuseum/docs/1975_web

Some Episcopal Diocesan Arms

Selection of diocesan arms.  Click to enlarge.
Rendered by Chad Krouse, 2024.

Sharing a selection of arms for various cathedrals in the Episcopal Church made me think about doing likewise for all the diocesan arms I've completed so far.  Below are a few designs that I find fascinating--from the hand of la Rose no doubt.

Diocese of Pennsylvania
Rendered by Chad Krouse, 2024

The arms of the Diocese of Pennsylvania were designed in 1906 by Pierre de Chaignon la Rose (1872-1941) and blazoned: Argent, on a cross Gules three open crowns in pale Or, bordure Sable charged with eight plates.

Diocese of Michigan
Rendered by Chad Krouse, 2024

The arms of the Diocese of Michigan were designed sometime between 1908-1912 by la Rose and blazoned: Vert, a pale barry wavy of six Argent and Azure between two pinecones pendant proper; on a chief Or three crosses fleury Azure.

Diocese of Rochester
Rendered by Chad Krouse, 2024

The arms of the Diocese of Rochester were designed sometime between 1931-1935, and based on my data I firmly believe la Rose designed these arms.  I'm currently waiting on some data to verify my hunch.  Blazon for the arms of the Diocese of Rochester:   Argent, a fess embattled and embowed Gules between three crosses moline Gules.

Some Episcopal Cathedrals

St. John's Cathedral.
Rendered by Chad Krouse, 2024.

St. John's Cathedral

Quincy, IL

Designed around 1906 by Pierre de Chaignon la Rose

Blazon:  Azure, on an eagle displayed Argent aureoled Or, an escutcheon Gules charged with seven mascles conjoined three, three, and one Or.

Cathedral of the Incarnation.
Rendered by Chad Krouse, 2024.

Cathedral of the Incarnation

Baltimore, MD

Designed in 1916 by Pierre de Chaignon la Rose

Blazon:  Quarterly Argent and Gules, a cross counterchanged with a pheon of the second in the first quarter.

Christ Church Cathedral.
Rendered by Chad Krouse, 2024.

Christ Church Cathedral

Hartford, CT

Designed in 1919 by Pierre de Chaignon la Rose

Blazon:  Argent, a cross pattee Gules between as many grapevines fructed and leaved proper.

Cathedral of St. John the Divine.
Rendered by Chad Krouse, 2024.

Cathedral of St. John the Divine

New York, NY

Designer unknown, officially adopted around 1965

Blazon:  Azure, seven five-pointed stars Argent between as many candlesticks Or.

Washington National Cathedral.
Rendered by Chad Krouse, 2024.

Cathedral of Sts. Peter & Paul (Washington National Cathedral)

Washington, DC

Designed in 1949 by Alanson H. Sturgis

Blazon:  Gules a sword proper erect in pale hilted Or, surmounted by two keys in satire Or and Argent over all in fess point a crown Or.

Cathedral of the Advent
Rendered by Chad Krouse, 2024

Cathedral of the Advent

Birmingham, AL

Devised by the College of Arms in 1985

Blazon: Purpure, a cross tau ensigned by a celestial crown Or, a bordure ermois.  

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These are few cathedral arms that I've done so far and wanted to bring them all together here.  Enjoy.

Our Lady of Cincinnati College

Seal and arms of Our Lady of Cincinnati College, later Edgecliff College, and the only surviving
artifact identifying tinctures and metals I could find.

Hunting down information regarding the coat of arms for Our Lady of Cincinnati College has proven virtually impossible.  Thankfully I found a reference in Evans (1959) which names Pierre de Chaignon la Rose (1872-1941) as the designer and with the date 1936.  Score for at least the designer.  What about a blazon for the arms?  Tinctures and metals?  What is inscribed on the open book?  The image above was all I could find regarding la Rose's design and thankfully included hatch marks.  

Our Lady of Cincinnati College was founded in 1935 by the Sisters of Mercy as a women's college.  In 1969, the College changed names to Edgecliff College and began admitting male students by 1970.  By 1980, Edgecliff College merged with Xavier University.

As the case with many of the now closed schools la Rose designed arms for, their archives have either been lost or scattered indiscriminately.  While Xavier University has some artifacts from Edgecliff in its collections, there is scant little from Our Lady of Cincinnati.    

Arms of Our Lady of Cincinnati College, later Edgecliff College.
Rendered by Chad Krouse, 2024.

Through the hatching on the seal/arms, I was able to make out the tinctures and metals.  The blazon, as best as I can tell, is: Gules, an open book edged with two clasps Or inscribed “Maria Vita et Spes Nostra” and in base a cross of the Sisters of Mercy Argent, on a chief Azure in dexter a crescent and in sinister a plow Argent.

Click to enlarge.

The chief abstractly reads Our Lady, Cincinnati.  I love that even though I find the design somewhat unbalanced.  The cross in the base of the arms comes from the insignia used by the Sisters of Mercy as seen below.  I also like how the cross is literally the foundation of the arms since the Sisters founded the college.

Insignia of the Sisters of Mercy.

Arms of the Archdiocese of Cincinnati designed by la Rose.
Rendered by Chad Krouse, 2024.

La Rose used the plow in his design of arms for the Archdiocese of Cincinnati in 1921 which are blazoned: Or, a plow between three cross crosslets fitchy Gules.

Recreation of la Rose's design for the College's seal.
Rendered by Chad Krouse, 2024.

Recreating la Rose's gothic quatrefoil was incredibly challenging and my version is not perfect.  Remember, a seal is not a coat of arms and vice versa.  Seals are used to legally authentic documents and may contain a coat of arms but not required.  There is no governance or direction in the US on designing a corporate seal.

Banner of arms, Our Lady of Cincinnati College.
Rendered by Chad Krouse, 2024.

Alas, I simply had to create a banner of arms even if the college no longer exists.  I continue to enjoy recreating la Rose's work from the past and hopefully giving them new life in the digital world of the 21st century.  

Even though Edgecliff College is no more, there is a rather active alumni association using the old line art of seal and arms.  I knew something had to be done, for la Rose if nothing else!  I sent the alumni association a suite of emblazonments for their use as well as the write up below.  Since I thoroughly enjoyed my work with Lenox School's Alumni Association, I wanted to do the same here.  Please click here to learn about my work with Lenox School Alumni Association.

 

Works Cited

Evans, Mary Ellen (1959).  The Spirit is mercy: The story of the Sisters of Mercy in the Archdiocese of Cincinnati 1858-1958.  Newman Press, pp 268-269.

La Rose & The Signet Society

The arms of the Signet Society at Harvard.
Rendered by Chad Krouse, 2024.

One of the earliest documented design for arms by Pierre de Chaignon la Rose (1872-1941) was devised for his literary club at Harvard, the Signet Society.  Designed around 1902, Signet's arms would be carved on the pediment of its house in Cambridge.  

Shiverick (1969) provides la Rose's blazon:

Arms:  Gules, a signet ring Or, surrounded by seven bees of the same marked with Sable

Crest:  From a fillet Or and Sable, a dexter forearm issuing, clothed in a Sable sleeve with Argent cuff.  The hand proper holding an open book with two clasps and edges Or, across the pages of which is inscribed VERITAS.

The crest of the Signet Society at Harvard.
Rendered by Chad Krouse, 2024.

La Rose's crest offers us a glimpse into his developing methods for illustrating unification and differencing in arms by using the open and inscribed book.  VERITAS is Harvard's motto and inscribed upon its three open books.  Fascinating, right?

I really liked the challenge of creating the crest.  I actually like this one and find it unusual that la Rose created one--he was not a fan of corporate arms bearing crests and mottos.

   

Another version of Signet Society's coat of arms.
Rendered by Chad Krouse, 2024.

There are a few other social clubs at Harvard bearing arms designed by la Rose, and I hope to get those emblazoned in the coming days.

Works Cited

Shiverick, Nathan C. (1969).  A short history of the Signet Society.  Privately published.  Cambridge, MA.

https://www.scribd.com/document/376709846/A-short-history-of-the-Signet-Society

Armorial Ensigns of the Lesser Known

Arms of the Institutum Divini Thomae.
Rendered by Chad Krouse, 2024.

As a follow up to my previous post showcasing emblazonments of several Ivy League schools and other prominent academic institutions, I felt it was only fitting to highlight arms from equally noble institutions likely unknown to some.

I am thrilled to present for the first time in digitized full-color, the arms of the Institutum Divi Thomae.  Located in Cincinnati, Ohio, the institute was a scholarly venture of the Roman Catholic Church focusing on scientific research.  Pierre de Chaignon la Rose (1872-1941) designed the arms for the institute in 1936 with a few unique marks of identification.  The inscription on the open book reinforces this mission, while the sun in splendor in dexter canton references St. Thomas Aquinas.  

Blazon:  Or, on a cross Gules an open book edged with two clasps Or inscribed Religio Scientia between four bezants, in dexter canton a sun Gules.

It truly brings joy creating arms knowing its the first time the design joins the digital age.

Arms of Rice University.
Rendered by Chad Krouse, 2024

Rice University was designed in 1912 by la Rose--his first design for a secular institution.  La Rose's blazon for the arms of Rice University:  Azure, two chevronels Argent between as many Athenian Owls Argent.

Groton School coat of arms.
Rendered by Chad Krouse, 2024.

The famous American architect and father of "collegiate gothic," Ralph Adams Cram (1863-1942) designed the arms for Groton School in 1904.  Located in Groton, Massachusetts, the school's coat of arms is blazoned:  Argent, on a cross Gules a sword in pale point to base with hilt ensigned of a coronet all of the field, on a chief Sable three open books of the field.

Arms of Bryn Mawr College.
Rendered by Chad Krouse, 2024.

The arms of Bryn Mawr College are quite striking to say the least.  Designed in 1904 by the College of Arms in London--designed, no grant as far as I know--the arms are blazoned:  Per pale, Or and Ermine three owls proper.

College of Arms you say working with a US college in 1904?  According to the College, yes.  I will definitely want to see if these arms were granted.  My hunch is that a herald did the design work and dispensed with all the legalities, etc.

Arms of the University of Washington St. Louis.
Rendered by Chad Krouse, 2024

The University of Washington St. Louis bears arms layered with identification. Designed in 1897 by Professor Holmes Smith, the arms are blazoned: Argent, on two bars Gules an open book bearing the motto PER VERITATEM VIS, in chief three stars of five points and in base as many fleurs de lys Vert.

Banner of arms, University of Washington St. Louis.
Rendered by Chad Krouse, 2024

The coat of arms of Washington & Lee University, located in Lexington, Virginia, may be unfamiliar to many.  Designed in 1901 by chemistry professor William George Brown, the quartered arms combine a lot of imagery for identification.

Arms of Washington & Lee University.
Rendered by Chad Krouse, 2024.

Blazon for the arms of Washington & Lee University:  Quarterly. 1st Azure open book Argent thereon inscribed OMNIA AUTEM PROBATE. 2nd Argent two bars in chief three mullets Gules (Washington). 3rd Gules a fess chequy Azure and Or between ten billets Argent, four in chief, three, two, and one in base (Lee). 4th Azure a cinquefoil pierced Argent, a bordure engrailed Ermine.

The coat of arms of Washington & Lee University, with crest and motto.
Rendered by Chad Krouse, 2024.

Banner of arms of Washington & Lee University.
Rendered by Chad Krouse, 2024.

I will say, the university's arms are most attractive when rendered as an amorial banner.

Arms of the Episcopal Diocese of Vermont.
Rendered by Chad Krouse, 2024.

The arms la Rose designed for the Episcopal Diocese of Vermont are simple and clear.  Sadly, however, one cannot find a decent emblazonment anywhere until now.

If you guessed that the piles reference Vermont's Green Mountains then you're well on your way in learning la Rose's methods.  I'm glad to now have a good emblazonment of these lovely arms.   

______________________________________

The following three arms below were designed by la Rose and perhaps represent his most controversial work in the 21st Century.  The arms of Grace Hopper College at Yale were not designed by la Rose, but I want to showcase these new arms.  All three of la Rose's designs have been retired and I wanted to ensure their conservation.  

As our collective social consciences woke to finally acknowledge the pain and struggles our sisters and brothers of color endure in the US every day, institutions nationwide took a deep internal look at names and symbols that no longer represent everyone in their constituencies.  Colleges and universities--especially--removed names from institutions and buildings and even retired logos and symbols too.

My efforts to preserve these designs stem purely from a heraldic perspective and scholarship.

Arms of Calhoun College at Yale (since been renamed).
Rendered by Chad Krouse, 2024

The arms of Calhoun College, the name of a former undergraduate residence at Yale, were designed by la Rose in 1931 and simply blazoned:  Argent, a saltire engrailed Sable; a chief of the arms of Yale.  The namesake of the residence had ties to slavery and thus Yale retired the name as well as the arms.  

The new arms of Grace Hopper College at Yale.
Rendered by Chad Krouse, 2024.

Calhoun was replaced with Grace Hopper for the residential college.  The new arms of Grace Hopper College became official in 2017 and blazoned:  Azure semé of Plates and Billets Argent a Dolphin embowed Or; on a Chief Argent a Fess engrailed Sable.

Former arms of Kirkland House at Harvard.
Rendered by Chad Krouse, 2024.

La Rose designed the arms for Kirkland House at Harvard in 1931.  The design in recent years caused a stir, as many at Harvard believed Kirkland's arms too closely resembled the Confederate flag.  Thus, these arms were effectively retired and new design ushered in.

Former arms of Harvard Law.
Rendered by Chad Krouse, 2024.

As part of his heraldic program for Harvard's Tercentenary celebrations in 1936, la Rose devised arms for all the schools of university.  The arms of Harvard Law, however, would become a lightening rod for controversy and effectively retired in 2016.  The issue:  the three gold garbs of wheat representing Isaac Royall, Jr., whose family had owned slaves.  In 2021, the law school unveiled new arms. 

Mission Digital: Preserving Arms From the Past II

Arms of the City of Kinston, NC designed by the College of Arms.
Rendered by Chad Krouse, 2024.

I'm thrilled to share several more armorial ensigns that are seemingly impossible to find.  By recreating these coats of arms in vector format and sharing here, its my sincere hope that we can prevent their extinction.   

The arms of the City of Kinston in North Carolina is one such case and these arms will soon get a post of their own.  So for now, enjoy!

Coat of arms for the City of Williamsburg, Virginia.
Rendered by Chad Krouse, 2024.

In October 1976, the City of Williamsburg, Virginia received a devisal of arms from the College of Arms in London.  These arms are extremely difficult to find anywhere on the web and I needed this coat for a proposal of new arms for a corporate body in Williamsburg as an example.

Blazon for the arms of the City of Williamsburg:  Vert, a sun in his spendor between four billets in chief and three billets in base a bordure Or.

Arms of the National Student Council of the Episcopal Church.
Rendered by Chad Krouse, 2024.

The arms of the National Student Council of the Episcopal Church have been covered previously.  These arms represent Pierre de Chaignon la Rose's first national design for the Episcopal Church.  Years later, la Rose would render the ultimate design creating the Episcopal Church's own coat of arms.  Please click here to read more about these arms.

Arms of the Catholic Church Extension Society.
Rendered by Chad Krouse, 2024.

Next up, we have the arms la Rose designed for the Catholic Church Extension Society, an early national design for the Roman Catholic Church in the US.  These arms have previously been covered (but not emblazoned!).  Please click here to read more about these arms.  

Arms of Lancaster Catholic High School.
Rendered by Chad Krouse, 2024.

The arms of Lancaster Catholic High School in Lancaster, Pennsylvania are among my favorites designed by la Rose.  Designed between 1928-1930, the school's arms are harmonious, simple, and layered with richness--incorporating the Lancaster rose is brilliant!  Again, rather difficult to find a good rendering out in the wilds of the Internet.

Freshly digitized in vector, several arms of Episcopal Preparatory Schools.
Rendered by Chad Krouse, 2024.

I was never happy with my renderings for St. Paul's School in Concord, New Hampshire as well as St. George's School in Middletown, Rhode Island.  Both arms were designed by la Rose and I felt I had not done justice to his brilliant design work.

Now in vector format, I can say that I'm pleased and ready to put these designs to aside!  Click here to read about la Rose's work with these three schools.

From L-R:  Arms of Kenyon College and its foundation, Bexley Hall Seminary.
Rendered by Chad Krouse, 2024.

Kenyon College in Gambier, Ohio has a lot of terrible renderings of its arms, most completely ignore the one published blazon I was able to find.  Additionally, Kenyon College established Bexley Hall Seminary as a school to train future clergy in the Episcopal Church.  The seminary's arms are all but extinct, so I went ahead and rendered these in vector format.  

These two armorial ensigns hold immense historical importance as they represent the first known design in US scholastic heraldry using a unifying chief (showing allegiance with the corporate sole).  I've written about both arms and click here to learn more.

La Rose 1921 proposed design for national arms for the Episcopal Church.
Rendered by Chad Krouse, 2024.

Finally, I'm sharing my emblazonment of la Rose's proposed national arms for the Episcopal Church submitted in 1921.  I've covered these arms previously in retelling the complete story of how the Episcopal Church received her own coat of arms.  Please click here to read more.