Recent Posts

Sunday, May 11, 2025

Recent Finds Series: Arms of Roman Catholic Parishes

Arms of Pope Leo XIV and various US Catholic parishes
Rendered by Chad Krouse, 2025

In honor of Pope Leo XIV's election, I'm sharing several recently discovered arms for US Roman Catholic parishes found online.  

Arms of Pope Leo XIV
Arms of Pope Leo XIV
Rendered by Chad Krouse, 2025

Middle Row (L-R):  St. Rose of Lima, Haddon Heights, NJ; Sts. Peter & Paul, West Chester, PA; and St. Margaret's, Rumford, RI

Bottom Row (L-R):  St. Francis of Assisi, Jefferson, NC; St. Anne, Hampton, NJ

Below are my three favorite arms from this group.

Arms of Sts. Peter & Paul Catholic Church, West Chester, PA
Arms of Sts. Peter & Paul Catholic Church, West Chester, PA
Rendered by Chad Krouse, 2025

The coat of arms of Sts. Peter & Paul Catholic Church in West Chester, PA differenced their arms with a new color scheme and I believe the green really pops here.  Using a silver chain to link the two gold keys adds a nice detail too.

Arms of St. Margaret's Catholic Church, Rumford, RI
Arms of St. Margaret's Catholic Church, Rumford, RI
Rendered by Chad Krouse, 2025 

By switching the cross's color from red to black makes a striking difference in the arms of St. Margaret's Catholic Church in Rumford, RI. 

Arms of St. Francis of Assisi Catholic Church, Jefferson, NC
Arms of St. Francis of Assisi Catholic Church, Jefferson, NC
Rendered by Chad Krouse, 2025
Lastly, the coat of arms of St. Francis of Assisi Catholic Church in Jefferson, NC are lovely canting arms with the Tau cross and knot from the arms of US President Thomas Jefferson.  Brilliantly designed!

Thursday, May 8, 2025

If The Mitre Fits

The arms of The Rt. Rev. Peter Eaton, Bishop of Southeast Florida
The arms of The Rt. Rev. Peter Eaton, Bishop of Southeast Florida
Rendered by Chad Krouse, 2025
I'm rolling out a new mitre as an external ornament for arms of dioceses and bishops.  With a distinctive Anglican aroma, I figured it was time to try and customize my own version to use.  Above are the personal coat of arms of The Rt. Rev. Peter Eaton, Bishop of the Episcopal Diocese of Southeast Florida, featuring the new episcopal hardware.  Earlier this past winter, I was blessed to attend mass at Sewanee celebrated by Bishop Eaton who is simply an outstanding liturgist and pastor.  So, the good bishop was on my mind.

The arms of the Episcopal Diocese of Southeast Florida
Rendered by Chad Krouse, 2025
The mitre traditionally used to ensign such ecclesiastical arms is the mitra preciosa, adorned with jewels and other intricate details.  Pierre de Chaignon la Rose (1872-1941) made prolific use of the mitra preciosa, which he modeled on those found in the 1515 roll of peers at the College of Arms in London.  His version can be seen below.

Arms of the Episcopal Diocese of Albany
Arms of the Episcopal Diocese of Albany
Rendered by Chad Krouse, 2025
Often incorrectly attributed, the arms of the Episcopal Diocese of Albany were designed by la Rose and adopted by the diocese in 1931 (The Living Church, 29 August 1931, 603).  Even today, the diocese still illustrates its coat of arms capped with la Rose's version of the mitra preciosa.  He designed the arms for the Roman Catholic Diocese of Albany as well--the city was home to the la Rose Family. 

I wanted the new mitre to have a 3D effect whereby the hat is turned slightly towards one side, giving the viewer a fuller glimpse of the front and back.  Additionally, I wanted the infulae, or lappets, to appear as unfolding with their creases in tacked and flanking both sides of the escutcheon.  I opted to add a dark red trim to help provide visual contrast.  I will admit that the colors clash depending on the arms they ensign.  The clashing problem will need to wait for now.
  
The arms of the Episcopal Diocese of West Virginia
The arms of the Episcopal Diocese of West Virginia
Rendered by Chad Krouse, 2025
Since I was recently working on a project and needed to render the arms of the Diocese of West Virginia, I show them here topped with the new mitre.  I am conflicted about West Virginia's arms and truly wish something more unique could be created.  It is my home after all. 

Below are a few select examples.

The arms of the Episcopal Diocese of Connecticut
The arms of the Episcopal Diocese of Connecticut
Rendered by Chad Krouse, 2025


The arms of the Episcopal Diocese of the Central Gulf Coast
Rendered by Chad Krouse, 2025
I think the mitre looks perfect on the arms of the Episcopal Diocese of the Central Gulf Coast.  The diocese's coat of arms were designed by Dr. J. Waring McCrady (b. 1938) and adopted in 1971.

The arms of The Rt. Rev. William K. Crittenden
The arms of The Rt. Rev. William K. Crittenden
Rendered by Chad Krouse, 2025
The personal coat of arms of The Rt. Rev. William K. Crittenden (1908-2003), Fifth Bishop of the Episcopal Diocese of Erie, were designed by The Very Rev. Frederic R. Murray (1910-1996) who served as Dean of St. Paul's Cathedral during Crittenden's episcopate in Erie.  Always good to design arms for your boss.

Archbishop of Canterbury coat of arms
The arms of the Province of Canterbury, Church of England
Rendered by Chad Krouse, 2025


The arms of the Episcopal Church
Rendered by Chad Krouse, 2025
Playing with the trim color to solve my color clash issue, and perhaps this scheme of going darker with gold will work.  Knowing myself, I'll likely continue to tweak and refine things over time.

Works Cited

The Living Church (29 August 1931).  Heraldic arms for the Diocese of Albany.  The Living Church, 85(18), 603.   

Monday, May 5, 2025

Mary's Month: House of God, Gate of Heaven

Coat of arms of the College of Guardians of the Holy House of Our Lady of Walsingham
The Walsingham Throne supporting the coat of arms of the College of Guardians
Created and rendered by Chad Krouse, 2025

The month of May is dedicated to the Blessed Virgin Mary, and time to tackle a project that's been marinating in my head for some time.  I have always wanted to see if I could render the statue of Our Lady of Walsingham to serve as the signature image for the blog.  Well, inspiration finally came today and the winds took me in a different (and better) direction up north to Canada.

The Canadian Heraldic Authority (CHA) does a rather cool thing when granting arms to Anglican cathedrals within its jurisdiction.  The very word cathedral means cathedra, or seat of the bishop, from which derives all episcopal authority, and when it comes to expressing this concept abstractly through heraldry, the CHA developed a concept which creates immediate identification.

A cathedral's coat of arms are placed upon a throne, or cathedra, which is used as the supporter for the arms.  Rather clever!  I'm guessing that each supporter is modeled on the actual throne in each cathedral.  The throne supporter visually sends a message that these arms are different.   

The coat of arms and supporter of St. Paul's Cathedral
in Regina, Saskatchewan
Granted by the Canadian Heraldic Authority 1996
The image above illustrates CHA's concept.  The coat of arms of St. Paul's Cathedral in Regina, Saskatchewan, rest upon the throne with a motto placed below on a ribbon.  Above the arms of the cathedral on the tympanum are those of the Diocese of Qu'Appelle.  By placing the arms of the corporate sole at the top, an abstract relationship between the two coats of arms can be discerned--the arms of the diocese seem to visually claim this cathedra for the ordinary of the diocese.

I followed the same framework.  Seated upon Mary's throne rests the coat of arms of the Guardians of the Holy House of Walsingham (Anglican Shrine) between seven gold rings for the seven sacraments.  The idea was to make the throne--as depicted at the Anglican Shrine--function as the supporter for the arms. 

In the absence of arms of a corporate sole for the Anglican shrine (at least to my knowledge), I used the undifferenced arms of the Priory of Walsingham along with a celestial crown to top things off.  The motto below was granted to the Guardians along with their arms from the heralds' college in 1945.  The Guardian's motto in Latin, Domus Dei Porta Caeli, translates as "House of God, Gate of Heaven." 

Arms of the Roman Catholic National Shrine and Basilica of
Our Lady of Walsingham
Rendered by Chad Krouse, 2025

I love Canadian heraldry and a proud member of the Royal Heraldry Society of Canada.  Some of the most original and creative charges, lines of division, and overall designs continue to spring from the heralds there.

Our Lady of Walsingham, pray for us.

Sunday, May 4, 2025

The Arms of St. Norbert's Abbey at 100

The coat of arms of St. Norbert's Abbey
The coat of arms of St. Norbert's Abbey in De Pere, WI
Rendered by Chad Krouse, 2025
When my research on Pierre de Chaignon la Rose (1872-1941) led me to St. Norbert's Abbey in De Pere, Wisconsin, I began learning about the first religious house established by the Order of Canons Regular of Prémontré in the US.  I am most appreciative of the Norbertines' assistance in finding documents in the archives related to la Rose's work designing the abbey's coat of arms.

By shear coincidence, the Norbertine community in De Pere was preparing for its centennial celebration, marking 100 years since its elevation to an abbey in 1925.  As a result of my inquiry, I was invited to write a brief article on the coat of arms for Abbey Magazine which circulates to approximately 14,000 friends and supporters of the De Pere community.  Scroll to the bottom of the post to read the article.

Given the space constraints for the article, I'm expanding here so as to complete the story of these Norbertine arms.  

The Abbey

The arms of St. Norbert's Abbey and its college
Rendered by Chad Krouse, 2025
The new elevation from priory to abbey would cause new heraldic ensigns to be created, as I don't believe the priory used arms.  For this commission, la Rose created three coats of arms for the new abbot's consideration: 1) the personal and impaled arms of the abbot, the new arms for the abbey, and a proposed coat of arms for the college.  

In March 1925, la Rose wrote to Abbot Bernard H. Pennings, O.Praem. (1862-1955) in response to the abbot's submission of a few designs rendered by members of his community.  La Rose held nothing back.
"I do not find any of the designs which you have been good enough to send me acceptable heraldry, for reasons which I will try to explain... 
"The modern notion, which dates from the rapid decline of the art in the 17th century and later: that a coat-of-arms should be in more or less symbolic terms, a moral portrait of its owner, or in the case of an ecclesiastical coat, should even declare its owner's religious programme, etc, etc, is wholly erroneous.  
"The arms of your own venerable Order are a case in point: they declare in themselves or express absolutely nothing. They are simply the personal arms of Saint Louis, which he himself permitted as a special royal favor to the Order, to bear, differentiating the coat from his own by the addition of two croziers diagonally crossed" (La Rose letter to the Right Reverend Father Abbot Pennings, March 21, 1925). 

The coat of arms of the Order of Canons Regular of Prémontré (modern)
The coat of arms of the Order of Canons Regular of Prémontré (modern)
Rendered by Chad Krouse, 2025 
In a sense, la Rose's argument regarding the order's arms is legitimate, as the arms lack any bespoke identification reflecting the Norbertines.  There is another version of these arms whereby the fleurs-de-lis are arranged in semme with the crossed croziers overall.    

The blazon for the arms of the Order of Canons Regular of Prémontré (modern):  Azure, two croziers in saltire with crooks outwards between four fleurs-de-lis all Or. 

The shear used as a charge
Rendered by Chad Krouse, 2025
Since la Rose believed the arms of the order to be insufficient for his design, he turned to St. Norbert himself for inspiration, appropriating the heraldic shear as one means of identification.  More detail about la Rose's rationale for the abbey's arms is covered in the article below.

The coat of arms of St. Norbert's Abbey in De Pere, Wisconsin
The coat of arms of St. Norbert's Abbey in De Pere, Wisconsin
Rendered by Chad Krouse, 2025
The blazon for the arms of St. Norbert's AbbeyArgent, a cross saltire between as many shears all Gules on a chief Azure a crescent of the field between two fleurs-de-lis Or.

Now at the ripe age of 100 years old, the coat of arms of St. Norbert's Abbey illustrate what la Rose called "carrying power" for those arms illustrating sound heraldry.  In other words, good heraldry will pass the test of time.

Unification & Differencing

Unification and differencing in arms for Roman Catholic
religious communities
CLICK TO ENLARGE
Rendered by Chad Krouse, 2025
In response to the proposed designs sent by the abbot which included mottoes below the shield as well as designs for the college arms, la Rose addressed those points by sharing  the rules for illustrating unification and differencing in arms for Roman Catholic religious communities.  The graphic above summarizes la Rose's points in simple terms.

Proposal for St. Norbert's College

The unadopted arms proposed for St. Norbert's College in De Pere, WI
The unadopted arms proposed for St. Norbert's College in De Pere, WI
Rendered by Chad Krouse, 2025
La Rose's third proposal for the abbot's consideration were arms for St. Norbert's College, a foundation of the newly elevated abbey.

La Rose continues in his letter to Abbot Pennings:
"Now for St Norbert's College, these arms again should be sufficiently differentiated from those of the Abbey to prevent the least visual confusion- but should also show a close relationship.  One of the most frequent mediaeval practices was to "difference" two similar shields by a change of color. 
"Therefore, while retaining the distinctive design of St.Norbert's heraldry, I have changed the colors into the green and silver now (I gather from the letters you sent me) used by the College. 

The open book inscribed with Euntes Docete ("Go and Teach") for St. Norbert's College
Rendered by Chad Krouse, 2025
"I have retained the blue chief of the Abbey arms, but changed it now with an open book, the symbol most common traditionally to academic arms, thus indicating St. Norbert's College. 
"And as an open book, even in heraldry, normally bears a short legend on its pages, I have inscribed them with the Euntes Docete, which, although it should not be used as a "motto" on a ribbon beneath the shield, may with perfect heraldic propriety appear in its present position- or it may be replaced by any other brief legend that may seem desirable" (La Rose letter to the Right Reverend Father Abbot Pennings, March 21, 1925).
La Rose moved the proposed motto from the Great Commission found in Matthew 28:19-20,  Euntes Docete ("Go and Teach) from an external ribbon and inscribed an open book to use as the chief for St. Norbert's College.  For one reason or another, la Rose's design for the college would not be adopted.

The blazon for the unadopted arms of St. Norbert's College:  Argent, a cross saltire between as many shears all Vert on a chief Azure an open book bound and edged with two clasps Or thereon EUNTES DOCETE.

St. Norbert's College Today

The coat of arms of St. Norbert's College and Berne Abbey in The Netherlands
(L-R): The coat of arms of St. Norbert's College and Berne Abbey in The Netherlands
Rendered by Chad Krouse, 2025
St. Norbert's College bears its own coat of arms as seen above, the inspiration for those arms came from the Norbertine's Berne Abbey located in Holland.  Why?  The founders of St. Norbert's in De Pere, Wisconsin originated from Berne Abbey and showing this historical connection must have been viewed as important to the designer of the college's arms (St. Norbert College, 1989).
"Berne Abbey took its coat of arms from Fulco of Berne who gave his castle to a group of religious.  The Norbertines were the first permanent occupants, and Berne Abbey was the last of the Norbertine abbeys founded by St. Norbert himself.  
"Fulco's coat of arms had alternating stripes, three red and three blue, with eight scepters superimposed. The eight scepters indicated that Fulco was related by eight lines to the Emperor of the Holy Roman empire...the Dartmouth colors of green and white for the alternative stripes, and gold for the scepters were adopted" (St. Norbert's College, 1989).
The rationale for the college's arms comes from a pamphlet found in the college archives and linked below.  I created the following two blazons:

The blazon for the arms of St. Norbert's CollegeArgent, three bars Vert overall an escarbuncle of eight points each ending with a fleur-de-lis Or.

The blazon for the arms of Berne AbbeyAzure, three bars Gules overall an escarbuncle of eight points each ending with a fleur-de-lis Or.

Abbey Magazine

Finally, here's my brief article in Abbey Magazine, Spring/Summer 2025.  It might be necessary to pop out the article into a larger window for the document to reload.


Works Cited

La Rose, Pierre de Chaignon (21 March, 1925).  La Rose letter to the Right Reverend Father Abbot Pennings.  Unpublished.

St. Norbert's College (1989).  The coat of arms of St. Norbert's College.  Archives Publications. 6.