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Tuesday, January 28, 2025

Some Arms of Episcopal Seminaries

Episcopal seminary coat of arms
New poster of arms from Episcopal Seminaries (past and present)
Rendered by Chad Krouse, 2025
Click to Enlarge
I was recently inspired to tick off my list a few more coats of arms for seminaries of the Episcopal Church.  While there are a few others not represented here, my criteria was simply that armorial insignia needs to conform to established rules within heraldry.  So, no logos, no landscapes, etc.  Basically, when looking for the heraldry of Episcopal seminaries, this is pretty much it.  

Below are some of my renderings of a few emblazonments that can be difficult to find decent versions of on the web.

Coat of Arms of the General Theological Seminary
Arms of the General Theological Seminary
Rendered by Chad Krouse, 2025
I was fortunate to spend some time at General in the Chelsea area of Manhattan--a lovely, beautiful campus.  These arms were designed by The Rev. Canon Edward N. West (1909-1990) who was a talented liturgist, artist, etc. on the staff at the Cathedral of St. John the Divine in New York City.  

Coat of Arms of Nashotah House
Arms of Nashotah House 
Rendered by Chad Krouse, 2025
Nashotah House has a long tradition as an Anglo-Catholic seminary within the church and reflected in their coat of arms.  The lilies are for the Blessed Virgin Mary and the two fountains are geographical references as the seminary is located between two lakes in Wisconsin.  I don't know who designed these arms but they're simple and clear!

Blazon:  Gules, on a cross throughout Or a triple blossom lily between two fountains in chief. 


Coat of Arms of Bexley Hall
Arms of Bexley Hall 
Rendered by Chad Krouse, 2025
Lots to note here on arms of Bexley Hall designed in 1907-08 by The Rev. Canon Orville E. Watson (1857-1951), a professor at the seminary in Gambier, Ohio.  For a full analysis on the heraldry of Kenyon College and Bexley Hall, please click here.

Coat of Arms of the Episcopal Theological Seminary in Kentucky
Arms of the Episcopal Theological Seminary in Kentucky
Rendered by Chad Krouse, 2025
The Episcopal Theological Seminary in Kentucky operated from 1834-1990 as a diocesan seminary and used as the basis for their coat of arms those from the Episcopal Diocese of Lexington.  Pierre de Chaignon la Rose (1872-1941) designed the arms for the diocese around 1908.  The differencing mark for the seminary's arms was the addition of the lamp above the clasped hands.

Sunday, January 26, 2025

Of Bordures & Plates: Ecclesiastical Heraldry from Pennsylvania

A theme emerges from the Diocese of Pennsylvania!
Top: Diocese of PA, Washington Memorial Chapel
Bottom: St. Paul's Episcopal Church Chestnut Hill, St. George's Ardmore
Rendered by Chad Krouse, 2025
Click to enlarge
Once I began to see this bordure theme emerging from several coat of arms that I've discovered recently, I had to share.  Of course, it all began with Pierre de Chaignon la Rose (1872-1941) and his commission for a seal and coat of arms for the Episcopal Diocese of Pennsylvania.

In 1906, the Diocese of Pennsylvania officially adopted its coat of arms designed by la Rose and blazoned: Argent, on a cross Gules three open crowns in pale Or a bordure Sable charged with eight plates.  These were early days for the up-and-coming designer and quite a coup to land such a commission.  The preceding year helped forge a heraldic path forward in the Episcopal Church after designing arms for the Diocese of Quincy, its cathedral of St. John, and the Diocese of Massachusetts.  By now, la Rose was certainly making a name for himself in the world of American ecclesiastical heraldry.

From the 1906 convention journal we learn the following:
"It was deemed wise to represent (1) England, of whose national Church our own is the offspring, and especially as the Episcopate derived from the English Church was first found in America in the person of Bishop White, the first Diocesan of Pennsylvania. (2) Sweden, whose people founded a number of parishes that are now the monuments of the early history of the Anglican Church in this State.  (3) William Penn, the founder of this Commonwealth, who guaranteed its religious freedom, and from whose followers many of the most devoted of the Church's supporters of later generations were, and are, descended.

"The Committee, therefore, presents for your considera­tion what, in the terms of Heraldry, would be described as 'Argent, on a cross gules, three open crowns in pale or; a bordure sable charged with eight plates. The shield ensigned with a mitre, and resting upon a key and crosier in saltire.' This means, as may be seen by reference to the drawing, a white shield, bearing a red cross, upon which appear three golden crowns; the whole surrounded by a black border with eight white (or silver) discs upon it.  
"Its significance may be described thus: The white shield, with its red cross, is the shield of Saint George, and stands for England and her Church. It is also distinctly ecclesiastical, and symbolic of the Christian faith.  
"The three golden crowns are the principal charge on the Arms of Sweden, and so proclaim the existence of the Old Swedes' Parishes that are scattered throughout the Diocese.  Finally, the black border, with its white discs, is taken from the Arms of the Penn family. In this instance it has been used as a border. not only for the purpose of decoration, but to distinguish it from the coats recent]y adopted by the Dioceses of Pittsburgh and Harrisburg, where the Penn charge is used in its original form.  
"The whole Coat of Arms, as thus proposed, is heraldic­ally correct, and seems to be satisfactory from a decorative standpoint, while, at the same time. to a trained herald, it tells its story without confusion" (Diocese of Pennsylvania, 1906, 144).
Arms of the Episcopal Diocese of Pennsylvania 
Rendered by Chad Krouse, 2025

Through the see's arms, la Rose refined his ability to combine multiple meanings into one clear design--a skill he would master in time.

So, we now have bordures and plates galore!

Comparing the arms of Washington with Washington Memorial Chapel
Rendered by Chad Krouse, 2025

In Valley Forge, we find a lovely coat of arms for the Washington Memorial Chapel which manages to really shake things up a bit with those old two bars and three stars.  Literally, just invert everything!  Blazon for the arms of the Washington Memorial Chapel:  Gules, two bars and in chief three mullets Argent a bordure Argent charged with eight pellets.

Coat of Arms of St. George Episcopal Church in Ardmore, PA
Arms of St. George Episcopal Church in Ardmore, PA
Rendered by Chad Krouse, 2025
Another excellent example of our bordure theme with fantastic differencing can be found in the arms of St. George's in Ardmore.  Blazon for the arms of St. George Episcopal Church in Ardmore, PA:  Argent, on a cross throughout Gules a dragon fess ways armed and langued Vert pierced in the breast with the spear of St. Michael Or on a bordure Sable eight torteau edged of the field charged with a cross saltire Argent.  I would love to know the designer of these arms!

Coat of Arms of St. Paul's Episcopal Church Chestnut Hill
Arms of St. Paul's Episcopal Church Chestnut Hill
Rendered by Chad Krouse, 2025
One late comer, but equally worthy, are the arms of St. Paul's in Chestnut Hill.  Again, excellent differencing and completely avoiding the use of Paul's attributed (undifferenced) arms.  Well done.  Blazon:  Azure, a sword in pale with point to chief Argent hilt and pommeled Or surmounted by an open book edged with three clasps Or thereon inscribed Spiritus Gladius on a canton Gules a lamb Argent a bordure Sable charged with eight plates.

Coat of Arms of Church of the Good Shepherd, Rosemont
Arms of Church of the Good Shepherd, Rosemont
Rendered by Chad Krouse, 2025

Working on securing a blazon for the arms of Good Shepherd in Rosemont, a lovely coat of arms and a lovely parish!

Coat of Arms of the Philadelphia Divinity School
Arms of the Philadelphia Divinity School
Rendered by Chad Krouse, 2025

Lastly, I stumbled upon a nearly extinct coat of arms, those of the Philadelphia Divinity School (PDS) which merged with Episcopal Divinity School in Cambridge, Massachusetts.  Lovely and simple arms, very similar to those Ralph Adams Cram designed for the Groton School earlier in the 1900s.

Blazon for the arms of the Philadelphia Divinity School:  Argent, a cross Gules on a chief Azure three open books edged with three clasps Or.


Comparing designs, L-R: Groton School, PDS, and Hodgson Hall (Sewanee)
Rendered by Chad Krouse, 2025

Comparing the arms of PDS with two other known designs reveal similarities with nuanced differences.  The tincture of the chief, along with edging and number of clasps for the books, distinguish all three.  Groton's arms have a sword and crown on the cross.

The arms of Groton School (seen above on left) were designed in 1902 by Ralph Adams Cram (1863-1942) and  blazoned:  Argent, on a cross Gules a sword in pale with point to base hilt enfiling a crown Argent on a chief Sable three open books edged with two clasps Argent.

The arms of Hodgson Hall at the University of the South were designed by Dr. J. Waring McCrady in 2018 when he designed armorial flags for all the undergraduate residence halls at Sewanee.  While no official blazon can be found at present, here is our working one:  Argent, a cross Gules on a chief Purpure three open books edged with two clasps Argent.

Works Cited

Diocese of Pennsylvania (1907). Journal of the convention of the Protestant Episcopal Church in the Diocese of Pennsylvania. [Philadelphia]: Published by order of the convention. 144.

Saturday, January 25, 2025

In Recognition of 'Good' Heraldry

Past recipients of the AHS Design Award
Rendered by Chad Krouse, 2025
Click to enlarge
Of course good heraldry can be a rather subjective judgement.  I can hear a certain former mother-in-law exclaiming, "there's no accounting for taste!"  My philosophy of corporate heraldry falls into a transcendentalism world view rooted in the power we humans ascribe symbols for not just identification, but for representation.  More on all this later.  As such, I'm cautious to tear apart or degrade a coat of arms--regardless if I believe the design is efficacious or not--because someone somewhere believes to be represented by those arms.  So, I settle on whether or not a given design is clear and perspicuous, nothing more.  

In a sense, the American Heraldry Society believes something similar, accomplished through its Pierre de Chaignon la Rose Design Award.  Here's my write up for the award that I use for the election.

"Established in 2006, the Society's annual award is named in honor of Pierre de Chaignon la Rose (1872-1941), the great American heraldic designer who led a revival in American heraldry during the early twentieth century.  The purpose of the award is to encourage and support excellence in American heraldry by recognizing coat of arms that provide the bearer with a strong public identity embodying the best heraldic design of the highest form, function, and aesthetic.

"Nominees for the award represent corporate bodies from academic, military, civic, religious, or social organizations whose coat of arms exemplifies the best in heraldic design. The arms must have been designed in the United States. The designs are nominated by the Society’s membership; finalists are selected by the Board of Governors."

Fairly straightforward.  To the point, I really like how we recognize those organizations proudly using their arms--most are rather surprised when they hear from us regarding such an award.  I think its important to provide education regarding sound heraldry by recognizing those designs selected by the Society.  Click here to see the AHS webpage for the design award.  

Recently, I was asked to render all the past recipients so that we could add all the arms to our new website and maintain a consistent design--see above!  Both la Rose and Col. Harry D. Temple have designs recognized by the award over the years.  One of my alma maters, The School of Theology at The University of the South received the award in 2024.  Click here to read about the 2024 recipient.  

Coat of arms of the Gov. John R. Rogers High School ROTC
Arms of the Gov. John R. Rogers High School ROTC
Rendered by Chad Krouse, 2025

The first recipient of the design award was Gov. Rogers HS ROTC, located in Pullyup, WA and whose arms were designed by the US Army's Institute of Heraldry in 1999.

Check out their blazon:  Celeste a pile reversed dancette of three the pale enhanced Argent below and between two demi-rams salient combatant armed and unguled Gold Brown

Coat of Arms of the Shrine of Our Lady of Guadalupe
Arms of the Shrine of Our Lady of Guadalupe
Rendered by Chad Krouse, 2025

The arms of the Shrine of Our Lady of Guadalupe received the award in 2009 , and were designed by Professor Brian Abel Ragen of Southern Illinois University.  The arms are blazoned:  Tierced in chapé Vert and Argent a bunch of roses Gules leaved and slipped Vert.

Coat of Arms of the San Francisco Fog Rugby Club
Arms of the San Francisco Fog Rugby Club
Rendered by Chad Krouse, 2025

Finally, a rather cool design, the arms of the San Francisco Fog Rugby Club received the Society's award in 2007.  I like how the nebuly sort of resembles the famous fog in the Bay area.  Designed by Pete Arden and blazoned:  Barry nebuly of six Argent and Azure, on a bend Sable three mullets of the first.

Arms for an Episcopal Priest

Coat of arms for an Episcopal Priest
The newly assumed arms of an Episcopal Priest
Designed and rendered by Chad Krouse, 2025
I'm honored to share my design of a coat of arms recently assumed by an Episcopal priest.  For privacy, let's just call him "Father Sam."  

Arms: Argent, on a fess Sable two Mayflowers (epigaea repens) Argent barbed Vert each charged with a fleur-de-lis Azure debruised by a pile Azure charged with a dove descending Argent haloed Or

Motto: Dum Spiro Spero, Latin for, “While I breathe, I hope”

My version of a "library print" including the arms of the
cleric's seminary, diocese, etc.
Designed and rendered by Chad Krouse, 2025

Design Rationale: The new armiger is an ordained priest in the Episcopal Church, and referenced through the clerical color of black for the fess. The fess is charged with two Mayflowers (epigaea repens) honoring the armiger’s ancestor, William Bradford (1590-1657), who emigrated from England and arrived at Plymouth Colony aboard the Mayflower in 1620.  The flowers are charged with a fleur-de-lis representing not only the City of St. Louis where his ministry began, but also his devotion to the Blessed Virgin Mary. Additionally, the fleur-de-lis is used as the crest in the armiger’s order, the Order of Christ the Savior.  The blue pile represents the limitless heavens above as the dove of peace descends offering grace, healing, and hope in the world today. The motto is attributed to King Charles the Martyr, representing another saintly model for the armiger.  The external ornament of a black galero with a single tassel follows the guidance set forth in The Earl Marshal’s Warrant of 1976 which codified such use in the arms of clergy in the Church of England.

Designer: Chad M. Krouse, EdD of Richmond, Virginia

Date: 10 January 2025