Finding Notre Dame

The arms of the University of Notre Dame
designed by Pierre de Chaignon la Rose.
Rendered by Chad Krouse, 2024. 

For the longest time I've been frustrated by the fact that no decent digital emblazonment of Notre Dame's arms existed...until now.  These arms were among the early designs that I completed using vector format. Designed in 1930 by Pierre de Chaignon la Rose (1872-1941), the arms for the University of Notre Dame located in South Bend, Indiana are somewhat iconic in my opinion.  

Blazon for the arms of the University of Notre Dame:  Azure, issuing from a lake barry wavy Azure and Argent, a passion cross charged with an open book edged Or thereon inscribed VITA DULCEDO SPES, and in dexter canton a six pointed star Argent.

A souvenir found on eBay. 

The university's arms set within a gothic quatrefoil and most likely 
rendered by la Rose himself.

Banner of arms of the University of Notre Dame.
Rendered by Chad Krouse, 2024.

So, now we have la Rose's beautiful, simple, and clear arms for the University of Notre Dame. 

Heraldry of the Cathedral of St. John the Divine

Arms of the Cathedral of St. John the Divine in New York City.
Rendered by Chad Krouse, 2024.

One of the world's largest cathedrals is quietly nestled in the upper west side of Manhattan. I remember my first visit there and simply wandering around, head fixed skyward, and in awe of the building's shear magnitude. The Cathedral of Saint John the Divine holds the cathedra for the Bishop of the Episcopal Diocese of New York and bears unique arms which I wanted to recreate.

Banner of arms, the Cathedral of Saint John the Divine.
Rendered by Chad Krouse, 2024.

The cathedral's arms are quite unique and make a clear Biblical reference to its dedication of St. John. 

The Rev. Canon Edward Nason West (1909-1990) was a canon of the cathedral and well versed in heraldry.  Canon West's arms are based on those granted to his mother by the College of Arms in 1951.

Arms granted to Isadora Angelina West by the College of Arms in 1951.
Rendered by Chad Krouse, 2024.

The blazon for the coat of arms for Isadora Angelina West was kindly shared by the Archives of the Cathedral of St. John the Divine.

Arms:  Per pale Argent and Sable, a fess dancetty counterchanged in dexter chief a cross couped Sable.

Crest:  In front of a plate a griffin's head erased Sable beaked and gorged with a ducal coronet Or.

Motto:  Trewest

Coat of arms of The Rev. Canon Edward Nason West (1909-1990).
Rendered by Chad Krouse, 2024.

Among Canon West's many contributions, he created the "Anglican Compass Rose" as a image showing unity amongst the global Anglican Communion.  The center features the arms of St. George and encircled with the Greek inscription of John 8:32, "the Truth will set you free."

The Anglican Compass Rose was designed by West in 1954 and later embedded in the floor at the Cathedral of St. John the Divine, as well as the National Cathedral in Washington, DC and Canterbury Cathedral in England.

The Anglican Compass Rose.
Rendered by Chad Krouse, 2024.

The Anglican Compass Rose was later rendered as a flag for the 1990 Lambeth Conference by The Rev. Andrew Notere.

The Anglican Compass Rose Flag.
Rendered by Chad Krouse, 2024

Make a pilgrimage to the Cathedral of St. John the Divine, I highly recommend it.

The Struggles of Personal Heraldry

Arms of private armigers designed by the author.
Rendered by Chad Krouse, 2024.

I've been asked before to design personal coats of arms--mostly from well-intentioned individuals struggling to come up with their own design.  I certainly relate to this design struggle, vividly recalling my own ordeal tearing through untold drafts with dissatisfaction.  One thing, however, changed for me when I decided to research how well designed arms were pieced together with intention and meaning.  When I kept stumbling on this rather odd name, Pierre de Chaignon la Rose (1872-1941), I decided this guy must know something about heraldic design and so it began.  Researching a designer's work unlocked everything for me, for I knew I did not want to simply throw a bunch of charges on a field and call it a day.  I wanted a design layered, abstractly true to my brand, and above all balanced and beautiful.

My journey into this newfound world of heraldry all of sudden became special and filled with purpose.  While it took time and many drafts to arrive on my chosen design, I was glad for both the journey and its intended destination.  Now ten years on since I finalized my arms, I'm still in love with them.  

For this reason I politely decline most requests to design personal arms.  In a word, these are personal.  Without really knowing a person, and I mean truly knowing them, I find it quite difficult to come up with ideas that resonate and reflect the would-be-armiger.  I do encourage them to take their own journey, take time, and ultimately to be patient.

That being said, the few designs I have completed have been for close friends--meaningful experiences for myself and the armiger.  Will I do more in the future, who knows?  My love of corporate heraldry readily holds my attention these days.  

Old Armiger, Fresh Arms II

New emblazonment of arms for a private armiger.
Rendered by Chad Krouse, 2024.

Final emblazonment for a private armiger.  While I originally designed these arms in September 2014, we were never able to get a digital emblazonment, something I regret now.  

Arms: Gules, on a pale Azure fimbriated Argent three escallops Argent enfiled with as many vidame coronets Or;

Crest: On a wreath of Argent and Gules, a lamb rampant gorged of a vidame's coronet Or holding in dexter arm a market stick proper erect with crook facing sinister and on sinister arm an eschuteon Argent thereupon a Chi Rho Gules;

Motto: "From Strength to Strength."