Old Arminger, Fresh Arms II

New emblazonment of arms for a private arminger.
Rendered by Chad Krouse, 2024.

Final emblazonment for a private arminger.  While I originally designed these arms in September 2014, we were never able to get a digital emblazonment, something I regret now.  

Arms: Gules, on a pale Azure fimbriated Argent three escallops Argent enfiled with as many vidame coronets Or;

Crest: On a wreath of Argent and Gules, a lamb rampant gorged of a vidame's coronet Or holding in dexter arm a market stick proper erect with crook facing sinister and on sinister arm an eschuteon Argent thereupon a Chi Rho Gules;

Motto: "From Strength to Strength."

Old Arminger, Fresh Arms

New emblazonment of arms for a private arminger.
Rendered by Chad Krouse, 2024.

On fire this weekend and managed to knock off another project that I've delayed for some time.  Arms were designed in October 2014 but never managed to get a digital emblazonment.  It's lovely to see these in full color now.

Arms: Per chevron Gules and barry wavy Argent and Azure, in chief a demi sun in splendor Or and in base an anchor Or;

Crest: On a wreath of Argent and Gules, a Golden Retriever passant gorged of a collar Gules, in dexter paw a shotgun proper;

Motto: "Fire When Ready."

New Arminger

New personal coat of arms for a dear friend.
Rendered by Chad Krouse, 2024.

Now that Congress is over I have a little more time to pursue a few projects that I had shelved for some time.  One important project that I wanted to complete straightaway was to render digital emblazonments of arms for a close friend.  We jointly designed the arms back during the Summer '23 and it was time to get this off my list--and I'm thrilled that I can actually do this work digitally now too.

The blazon for these new arms:  

Arms: Sable, on a pile reversed argent a fir tree proper issuant from flames Gules in base, charged with a guitar pick Argent point to base with a chevron rendered as a carpenter’s square Gules.

Crest: On a torse Argent and Sable, a stag salient guardant proper incensed Gules, holding a six-string acoustic guitar proper.

Motto: Ich Geb Bestes, German for “I’ll try my best”

A quick bit about the design rationale.  The arminger was born and lives in Richmond, Virginia. The new arminger is both a musician and a carpenter. In the days following the Christmas holiday, the arminger likes to collect the dead or dying Christmas trees for a ceremonial burning party--actually a nice get together of friends to celebrate the end of the holiday season. The fir tree engulfed in flames makes this reference clear.

New crest.
Rendered by Chad Krouse, 2024.

Charging the tree with a guitar pick alludes to the arminger's passion for playing and writing music on the guitar. The addition of the chevron on the guitar pick, rendered as a carpenter's square, illustrates the arminger's profession.

Draft badge idea for the new arminger.
Rendered by Chad Krouse, 2024.

Personal banner of arms, private arminger.  Left the field on this pure black.
Rendered by Chad Krouse, 2024.

I seen examples of using a faded black whenever the field is Sable (black) to avoid an otherwise stark heaviness.  I tried this with the arms and then left the field on the flag pure black to show the difference.  I'm waiting to see which the new arminger prefers.  I love this simple design.

36th International Congress of Genealogical and Heraldic Sciences

What an incredible week in Boston!  Attending the 36th International Congress of Genealogical and Heraldic Sciences was truly special--the first time this gathering has been held in the US.  The action took place inside Old South Church on Boylston Street in the heart of the Back Bay area.

And there were so many highlights.

First and foremost, meeting colleagues for the first time in person was truly memorable.  It is astonishing how one can write, share, and collaborate with others while never having met in person.  Whether from Facebook, Discord, or even Instagram, it was awesome to put actual faces to usernames. I actually believe, now, that having met so many folks in person has enriched those professional relationships while giving me an even great depth of appreciation for who they are and their contributions to our field.

I was able to connect with fellow board members from the American Heraldry Society as well as the College of Arms of Foundation.

Title slide from my presentation.

Secondly, it was a high honor to have been selected to present a portion of my research on Pierre de Chaignon la Rose (1872-1941) during the Congress.  To say I felt pressure to give la Rose the appreciation he deserves--especially in his adopted hometown of Boston--would be an understatement.  

Slide showing la Rose's breakdown via frequency distribution for his heraldic work in the Episcopal Church. Click to enlarge.

I spent a lot of time, perhaps too much, in creating all the digital emblazonments for the presentation.  I wanted everything to be streamlined and in full color so that audience participants could visually understand la Rose's methods.  In exactly 30-minutes, I think I was able to do justice for the American heraldic designer without belaboring any minute point which I may have felt critical for understanding.  

Example of how la Rose used the ancestral arms of the Dominican Order
to create new identities for US-based Dominican institutions.  Click to enlarge.

Now as the Congress winds down today, I will write my article to be published in the Congress journal in 2025--another extraordinary opportunity to make a meaningful contribution for la Rose!