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Thursday, May 29, 2025

Personal Arms of the Clergy: A Study

Impaled coat of arms of The Rev. Canon Edward N. West
Impaled arms of the Rev. Canon Edward N. West with
the Cathedral of St. John the Divine
Rendered by Chad Krouse, 2025
For the longest time, I've been delaying any sort of work requiring the impaling (or marshalling) of arms.  Why?  I've simply never been much of a fan.  The symmetry is ruined; charges get distorted in order to fit into smaller areas and the whole design just looks muddled in my mind.  Well, I'm beginning to evolve on this very subject after finishing a study on several, forcing my hand to practice and learn.

This post will focus on several impalements for clergy below the rank of bishop in the Episcopal/Anglican tradition.  I have another article in the works concerning personal arms of bishops

Coat of arms of Impaled coat of arms of The Rev. Canon Edward N. West
Personal arms of the Rev. Canon Edward N. West
Rendered by Chad Krouse, 2025
Simply put, the practice of impaling arms for clergy is a way to illustrate both the cleric's rank and office.  Furthermore, the action of impaling two separate coats of arms shows a marriage of sorts--the cleric is "married" in a way to her or his cure.  

The galero, cords, and tassels (external ornaments) provide the viewer with the cleric's rank denoted by the color and number of tassels surrounding the escutcheon.  The office, more abstractly speaking, can be understood by the dexter (viewer's left) impalement of the arms themselves.  While the rank and office may change over time and reflected by different external ornaments, the personal arms in sinister (viewer's right) and the armiger's motto do not.    

Coat of Arms of the Cathedral of St. John the Divine
Arms of the Cathedral of St. John the Divine
Rendered by Chad Krouse, 2025
Take, for example, the arms of the Rev. Canon Edward Nason West, OBE, Th.D., Litt.D., Sub-Prelate St.J. (1909-1990) who served as Canon Sacrist, and had a stint as sub-dean, at the Cathedral of St. John the Divine in New York City.  As a canon, West was permitted to display three red tassels illustrating his rank.  Moreover, I believe Canon West held six doctoral degrees (earned and honorary), and is shown with red skein in the cords pendant from the galero.

For illustrative purposes only, purple cords reflecting
the rank of dean with red skein for the D.D. degree
Rendered by Chad Krouse, 2025
Finally, impaling the canon's arms with those of the cathedral he serves identifies the office.  If West was the dean of the cathedral, his cords would be purple with red skein for the D.D. degree.

Impaled coat of arms of the Rev. John Andrew
Impaled arms of the Rev. Canon John G.B. Andrew, OBE with St. Thomas Church
Rendered by Chad Krouse, 2025
The personal arms of the Rev. Canon John G.B. Andrew, OBE, D.D. (1931-2014) impaled with those of his parish, St. Thomas Church on Fifth Avenue in New York City, showing the same arrangement of three red tassels for a canon, but on a black and white cord based on one artifact I found.  Andrew was an honorary canon and held an honorary Doctor of Divinity degree--the armiger decides whether or not to show the red skein for the D.D. which in the US is an honorary degree.

Personal arms of the Rev. Canon John G.B. Andrew, OBE
Rendered by Chad Krouse, 2025
Canon Andrew's personal arms showing his D.D.  Both Andrew's personal arms and those of St. Thomas Church were devised by the College of Arms (Andrew's was a grant of arms). 

Impaled arms of the Rev. Alfred Hope Patten with the College of Guardians
of the Holy House of Walsingham
Rendered by Chad Krouse, 2025
The impaled arms of the Rev. Alfred Hope Patten (1885-1958) are a bit unique.  Father Hope is commemorated as the restorer of the Anglican Shrine of Our Lady of Walsingham in England.  While he was a priest in the Church of England, Father Hope was also the administrator of the Shrine and preferred two tassels indicating the rank of a dean in the Roman Catholic tradition.  


Impaling Father Hope's arms with those of the College of Guardians of the Holy House of Our Lady of Walsingham shows his relationship as head--or dean--of the college.  Fitting and appropriate.  

Coat of arms of the Rev. Alfred Hope Patten
Arms of the Rev. Alfred Hope Patten
Rendered by Chad Krouse, 2025
In fairness to Father Hope, the schedule and use of ecclesiastical hats for clergy was not codified by the College of Arms until 1976.  Click here to see those renderings from the College of Arms.

Impaled coat of arms Rev. Garron Daniels and Episcopal Parish of Alton
Impaled arms of the Rev. Garron Daniels, OCS with those of Episcopal Parish of Alton
Designed and rendered by Chad Krouse, 2025
I had the honor of designing both the personal arms of the Rev. Garron Daniels, OCS, Rector of the Episcopal Parish of Alton, and his parish.  As a priest, one tassel is pendant from the galero along with a cord of black and white indicating a presbyter in the Episcopal Church.


Coat of arms of the Rev. Garron Daniels
Personal arms of the Rev. Garron Daniels, OCS
Designed and rendered by Chad Krouse, 2025
Father Garron's arms are blazoned:

Arms: Argent, on a fess Sable two Mayflowers (epigaea repens) Argent barbed Vert charged with a fleur-de-lis Azure debruised by a pile Azure thereon a dove descending Argent haloed Or;

Motto: Dum Spiro Spero, “while I breathe, I hope.”

To help clearly illustrate all these differences, I've created a schedule which is more appropriate for use in the Episcopal Church.

Illustration of rank most appropriate for use in the Episcopal Church
CLICK IMAGE TO ENLARGE
Rendered by Chad Krouse, 2025
I'm beginning to get the hang of all this marshalling business, practice certainly helps.  

Friday, May 23, 2025

Arms of the National Shrine & Basilica of Our Lady of Walsingham

Armorial ensigns of the National Shrine & Basilica of Our Lady of Walsingham
Rendered by Chad Krouse, 2025
Walsingham is truly an ecumenical place.  You feel this as soon as you enter the village; Orthodox, Anglican, and Roman Catholics all venerate the Blessed Virgin Mary under the title of Our Lady of Walsingham.  I've long felt that Walsingham is the key to fruitful ecumenical relations for the Body of Christ.

As I've posted before regarding the arms granted to the College of Guardians of the Holy House of Our Lady of Walsingham--the Anglican Shrine--it's time to examine its nearby Roman Catholic cousin, the National Shrine and Basilica.


The "Slipper" Chapel

The National Shrine and Basilica of Walsingham.
Source: ExploreWestNorfolk.co.uk
Long known as the "Slipper Chapel," this structure dates to the mid-14th century and dedicated to St. Catherine of Alexandria.  Located roughly one mile from Walsingham, the chapel served as the last stop for those making their pilgrimage to the Holy House.  With bare feet as an act of humility, the faithful would removed their shoes at the chapel before proceeding onwards to Walsingham.
"When this chapel was built, Walsingham was second only to Canterbury in the ranks of English pilgrimage. The replica of the Holy House, where Mary had received news of her pregnancy from the Angel Gabriel, contained the precious statue of Our Lady of Walsingham. Thousands of people made their way here, down the muddy tracks and over the rolling Norfolk fields. 
"At Houghton St Giles, they would enter the orbit of Walsingham, their goal now almost in sight. It may be that they took off their shoes here, and walked the last stretch barefoot. It might also be the case that this is why it is called the Slipper Chapel. And it may be that it is not true, or even likely, for many of the pilgrims here would probably have been barefoot long before they reached Houghton" (Knot, 2023).
The chapel's history waxed and waned through the years and eventually fell into disrepair.  A wealthy lady, Miss Charlotte Pearson Boyd discovered the property and quickly purchased it on June 26, 1896. and gave it to the Roman Catholic Diocese of Northampton for use.  The bishop charged the Benedictines at nearby Downside Abbey to care for the place.

In time, a statue of Our Lady of Walsingham was commissioned and stayed at the nearby Roman Catholic church in Kings Lynn.  Knott recounts that on occasion, pilgrimages from Kings Lynn to Walsingham took place as the statue of Our Lady was carried in procession.

Knott continues his story of the chapel:
"And so things might have remained, if it had not been for the emergence on to the Walsingham scene of one Alfred Hope Patten. In 1921, he became Anglican Vicar of Little Walsingham. A devout and energetic Anglo-catholic, Hope Patten found himself to be the right person in the right place at the right time. Everything came together, in this decade when Anglo-catholicism reached the peak of its influence in the Church of England, and the Church itself was the most vivid it would ever be in the national consciousness. He installed an image of Our Lady of Walsingham in the Anglican parish church of St Mary. 
"Throughout the 1920s, visits to the statue grew in popularity, until thousands of Anglo-catholics each year were coming to pray in the church and to process around it. As you may imagine, the Anglican Bishop of Norwich was outraged, and demanded that Hope Patten remove the image from his church. Hope Patten being the kind of man he was, he acceded to this request by building a new replica of the Holy House on the other side of the Priory ruins, and placing the statue inside it. 
"At last, the Shrine of Our Lady had been returned to Walsingham - but, much to the the chagrin of the Catholic Church, it was an Anglican one" (Knott, 2023).     
Good old Hope Patten!  From here the National Shrine's presence grows, aided by two important papal actions.  The shrine was elevated by a canonical coronation decreed by Pope Pius XII in 1954, and later Pope Francis elevated the National Shrine to a minor basilica in 2015.

Arms of the National Shrine & Basilica

Arms of the Augustine Priory of Our Lady of Walsingham
Arms of the Augustine Priory of Our Lady of Walsingham
Rendered by Chad Krouse, 2025
So now the heraldry bit.  Upon the elevation of the shrine to a basilica, external ornaments are required in order for the arms to show its new status, by adding the papal umbraculum or "big umbrella" and crossed keys.  

Ordinariate News provides the following information:
"Dr. David Woolf has been a longstanding pilgrim and supporter of the Shrine and remains a member of the Order of Our Lady of Walsingham. He has links with the Rector of the Basilica, Monsignor John Armitage, who has since asked him to ensure that heraldically suitable Arms might be adopted by the Basilica of Our Lady of Walsingham.

"A manuscript dating from c. 1510 records the Arms of the Priory of Walsingham as Argent on a cross sable five lilies slipped argent, i.e. a black cross on a white background, with five lilies superimposed on the cross. The Basilica is now the modern day successor of the Priory of Walsingham, and as such it is appropriate that the Basilica has assumed the Arms of the Priory. These Arms have been augmented to include the ombrellino and the Papal crossed keys: one gold, the other silver" (Murphy, 2016 March 7).
And here's where I ask the question:  does the basilica have the right to bear the undifferenced arms of the Augustinian Priory of Walsingham?  With all due respect, my answer:  no.  

Consider the following:

1. When the College of Guardians of the Holy House of Our Lady of Walsingham petitioned the College of Arms in 1945 for armorial ensigns, the arms were differenced from those of the Priory by adding a blue canton with an image of the Holy House in gold.  The College of Arms, most likely, would not make a new grant without some change made to an existing coat of arms.  The ruins of the priory, it should be noted, are located within the bounds of the Anglican shrine at Walsingham.  

2. When Pope Benedict XVI created the Personal Ordinariate of Our Lady of Walsingham in 2009, the adopted arms had two marks of differencing from those of Walsingham--replacing the color of the cross from black to blue while selecting fleurs-de-lis for the Madonna lilies.  These arms are impaled along with those used by Cardinal John Henry Newman (1801-1890) to form the official coat of arms of the ordinariate.

Coats of arms for the Anglican Ordinariate in the UK and US
L-R: Arms of the Anglican Ordinariate in the UK and US
Rendered by Chad Krouse, 2025
The illustration above shows the arms of the Ordinariate in the UK (left) and in the US (right).  Below are the arms of the US ordinariate's cathedral in Houston, Texas, Our Lady of Walsingham Cathedral.  I placed the arms within a traditional arrangement for cathedrals using a mace and crozier in saltire.  I set the arms of the US Anglican Ordinariate within the crook for additional identification and decoration, and the whole ensigned with a bishop's miter and infulae draping to the sides. 

Arms for Our Lady of Walsingham Cathedral in Houston, Texas
Arms for Our Lady of Walsingham Cathedral in Houston, Texas
Seat of the Bishop, US Anglican Ordinariate
Rendered by Chad Krouse, 2025
The arms of the Personal Ordinariate of Our Lady of Walsingham are blazoned:  Per pale, in dexter argent upon a cross azure five fleurs-de-lis proper [Ordinariate]; the sinister half, Or upon a fasce dancette gules between three heart gules [Newman].

3.  The original arms, as far as we know, were used by the Priory of Augustinian canons in Walsingham.  The National Shrine is simply not a successor able to use these undifferenced arms--the National Shrine is neither a priory nor Augustinian.  Simply being the same denomination does not grant successor status in my opinion.  

I'm not the sort of chap who complains without proffering solutions.  I propose a revision to the arms currently being used by the National Shrine and Basilica of Our Lady of Walsingham. 

A Proposal for Unification in Arms

Illustrating possible unification in arms between the National Shrine & Basilica and the Anglican Shrine of the College of Guardians
Click image to enlarge
Rendered by Chad Krouse, 2025
Illustrating unification in corporate heraldry is a beautiful concept.  When designed and executed properly, a suite of armorial ensigns harmoniously display bespoke identification for the corporate sole and surrogate foundations.

As I wrote at the beginning of this article, Our Lady of Walsingham has a special charism at work in the hearts of Anglicans, Roman Catholics, and Orthodox Christians.  Our Lady, in other words, is a bridge between Christ and His Church.  Thus, Our Lady of Walsingham serves as a powerful unifier for all Christians and denominations.  Why not incorporate this charism into the heraldry of Walsingham?  The desire for unification in arms (and certainly more widely for the Body of Christ) forms the basis of my proposal.

I've rendered my little thought experiment above to illustrate the design proposal.  The revision, in my opinion, follows with what I believe is in keeping with one practice used by the College of Arms for differencing existing arms.  I could be wrong.

Processional banner of the proposed arms for the National Shrine & Basilica
Rendered by Chad Krouse, 2025



Armorial flag of the proposed arms for the National Shrine & Basilica
Rendered by Chad Krouse, 2025
On a processional banner or armorial flag, the proposed arms look dignified and worthy of the National Shrine and Basilica.  The flag would not have to comply with the Earl Marshal's Warrant of 1938 which regulates ecclesiastical flags for the Church of England.

The blazon I offer for the proposed revision of arms of the National Shrine & Basilica of Our Lady of Walsingham: Argent, on a cross Sable five Madonna lilies slipped and seeded proper, on a canton Azure a crescent Or.  

Proposed revision of arms for the National Shrine & Basilica
of Our Lady of Walsingham
Rendered by Chad Krouse, 2025
The crescent charge has long been a Marian symbol and rendering it in gold alludes to Pope Pius XII's canonical coronation of the shrine.  I also like how the crescent charge plays with the cadency mark.  In a sense, the Basilica is the "child" of the Priory (albeit a distance one, like a different cadet branch, and not able to inherit the undifferenced arms).  The canton reflects Our Lady's color of blue while providing ties for unification with the arms of the College of Guardians.  

Maybe I've missed something, as I am by no means an expert in heraldic law and inheritance.  In the meantime, may the charism of Our Lady of Walsingham continue to spread in the hearts and minds of souls everywhere.

Originally written and posted in 2020.  I've recently revised this article with new artwork and data.

Works Cited

Murphy, David (2016 March 7).  New coat of arms for the Basilica and National Shrine of Our Lady of Walsingham is designed by an Ordinariate member.  Ordinariate News.  Accessed on May 23, 2025.  https://ordinariateexpats.wordpress.com/2016/03/07/new-coat-of-arms-for-the-basilica-and-national-shrine-of-our-lady-of-walsingham-is-designed-by-an-ordinariate-member/

Knott, Simon (2023). Slipper Chapel, Houghton St Giles.  The Last of England: Churches of East Anglia Norfolk.  Accessed on May 23, 2025. http://www.norfolkchurches.co.uk/houghtonshrine/houghtonshrine.htm

Tuesday, May 20, 2025

Five Years On: Revisiting the Attributed Arms of Black Lives Matter

The revised attributed arms for Black Lives Matter
Designed and rendered by Chad Krouse, 2025

A few years ago I learned an important truth about the power of a 13th century abstract form of identification enjoys well into the modern age...but first let's revisit the year of 1963.

On what could only have been a horrendously humid and hot day on August 23, 1963, Washington, DC must have been a powder keg ready to explode as The Rev. Dr. Martin Luther King, Jr. (1929-1968) took to the podium addressing a sea of sweaty hungry souls.

There on the steps of the Lincoln Memorial, Dr. King delivered what history has deemed one of the great masterpieces of rhetoric, his famous, "I have a dream," speech.  Dr. King's words echo across our great country today:
"So even though we face the difficulties of today and tomorrow, I still have a dream. It is a dream deeply rooted in the American dream. I have a dream that one day this nation will rise up and live out the true meaning of its creed: We hold these truths to be self-evident, that all men are created equal.

"...I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character. I have a dream today.

"...And when this happens, and when we allow freedom ring, when we let it ring from every village and every hamlet, from every state and every city, we will be able to speed up that day when all of God's children, Black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old Negro spiritual: Free at last. Free at last. Thank God almighty, we are free at last" (Talk of the Nation, 16 January 2023).
His dream has become the dream of millions worldwide, as communities everywhere continue their own struggles for civil rights in the modern age. 

During the COVID-19 pandemic, I found myself re-engaged with heraldry thanks to quarantine.  I took several years off in order to focus on my doctoral program, and felt a wee bit rusty on the subject. I decided to take the plunge and convert my Anglo-Catholic blog to a heraldic research one.  Now, that's a pivot!  

A graffitied rendering of the attributed arms of Black Lives Matter
posted on Reddit and sent in by a reader.
Simultaneously, America was once again electrified, on the brink of major social change.  The Black Lives Matter movement was working to wake our Nation from slumber, calling on citizens everywhere to live out Dr. King's hallowed words.  

I had an idea, a way to show not only my support for the movement and need for change, but to see if heraldry's power of abstract symbolism holds meaning in the 21st century.  I sketched a design for a coat of arms attributed to Black Lives Matter, and posted the arms on my blog in a show of solidarity.  Click here to read the original post.   In my mind, this was Kingdom Theology at work. 

___________________

Sidebar.  What's that?  Kingdom Theology is an Anglo-Catholic framework or lens through which one sees virtually everything, the "already, but not yet."  The Kingdom of God has come, Jesus proclaimed in the Gospels, but the heavenly realm has not yet been fulfilled.  Thus, we have lots of work to do living in these between times.  Click here to read a reflection I delivered on the topic as a seminarian.
___________________


Something good went viral.
  
Unknowingly, the online heraldry community took notice and I began receiving digital emblazonments of the arms.  Since those were the days of pencil and paper for me, I was amazed at the power of color in heraldry.  I was speechless!  I added a subsequent post to share the illustrations I received.  Click here to read the second post on the attributed arms of Black Lives Matter.

Attributed arms of Black Lives Matter
Attributed arms of Black Lives Matter designed by Chad Krouse
Rendered by Dimitri Prica, 2022
I felt the need to commission a digital version myself and turned to Dimitri Prica.  Click here to read my feature on Prica's heraldic artwork.  Yes, it is true, fame fizzles in seconds, and within a handful of days all went quiet regarding my post.

Flag and arms of Black Lives Matter
Flag and arms of Black Lives Matter
Designed and rendered by Chad Krouse, 2025
Five years on, I've revisited my design and appreciate what I attempted to pack in those arms.  Since then, I feel as I though I've grown a bit in my understanding of heraldry and its design.  Today, I want to share my final version of the attributed arms in hopes to keep alive the cause of equal rights and the ongoing work of Black Lives Matter.

Graphic unpacking the design rationale
Click image to enlarge
Rendered by Chad Krouse, 2025
The graphic above readily explains my revision and I believe is more fitting, reflective of my progress in heraldic design.  The 2020 version is not bad, I simply see a better vision for these arms.

Blazon for the 2025 revision for attributed arms of Black Lives Matter:  Gules masonry Sable, on a dove displayed Argent haloed Or on an inescutcheon Sable issuing from a celestial crown in base the fist of Black Lives Matter all Or.

Coat of Arms of Black Lives Matter and US coat of arms
Arms of Black Lives Matter within a bordure of the arms of the United States of America
Designed and rendered by Chad Krouse, 2025
To honor that day in August 1963 and Dr. King's extraordinary ability to bring together all Americans, I put together the rending above, placing the arms of Black Lives Matter within the bordure of arms of the United States.  

So, what exactly was that truth I learned?  When designs for arms are simple and its identification clear, heraldry has the carrying power through abstraction to convey meaning, especially when words fail us.  This truth, known by many in heraldry, is my foundation and guide.  I won't forget those brief moments in 2020.

Dreams can come true

WORKS CITED

Talk of the Nation (16 January 2023). Read Martin Luther King Jr.'s 'I Have a Dream' speech in its entirety.  National Public Radio, accessed May 19, 2025 https://www.npr.org/2010/01/18/122701268/i-have-a-dream-speech-in-its-entirety

Sunday, May 18, 2025

Arms of Christ Church Philadelphia

Arms of Christ Church (Episcopal) in Philadelphia, PA
Arms of Christ Church (Episcopal) in Philadelphia, PA
Rendered by Chad Krouse, 2025
The coat of arms of Christ Church in Philadelphia, Pennsylvania are resplendent and richly identify this special parish community.  I recently found these arms as I continue my personal quest to discover sound heraldry in the Episcopal Church--I wanted to share right away.  To read other articles in the Recent Finds Series, click on the corresponding label at the end of the post.

According to Gough (1995), the parish arms were designed in the late 1950s by Dr. Harold Bowditch (1883-1964), a prominent member of the New England Committee on Heraldry.
Arms of Christ Church, Philadelphia
Source: Gough (1995), pg 372
The arms as illustrated above from Gough (1995) give us a lot of information for constructing a blazon; however, the tinctures for the field and mitre are but a guess at this point sans hatching.

We do learn a bit regarding Bowditch's rationale: the crossed swords reference the Diocese of London, three plates on a black fess for the founder of Pennsylvania William Penn (1644-1718), and the mitre for Bishop William White (1748-1836), first bishop of the Diocese of Pennsylvania.

Bowditch clearly followed the framework for corporate heraldry Pierre de Chaignon la Rose (1872-1941) used consistently throughout his heraldic work.  In the arms of Christ Church, we have geographical identification (Penn) tied together with historical references for both colonial (London) and diocese (White), and designed in the simplest form possible.  Bingo!

Azure or Gules for the field?
Rendered by Chad Krouse, 2025
I chose red for the field based on the Diocese of London reference; however, most arms dedicated to Christ Church in the Episcopal/Anglican tradition use blue owing to the arms of Canterbury Cathedral.

My blazon for the arms of Christ Church, Philadelphia:  Gules, two swords in saltire Argent hilt and pommel Or ensigned by a miter Proper debruised by a fess Sable thereon three plates.

The color blue works just as well.  I'll update this with any new information.  

WORKS CITED

Gough, Deborah M. (1995). Christ Church, Philadelphia: The Nation's Church in a Changing City. University of Pennsylvania Press, pg 372.